#1 of 7 2005 · Adventure, Drama
$97.9M worldwide · 68% of the chart's total
Are We There Yet? (2005) is the highest-grossing English-language movie released in week 4 of 2005 (Jan 16–22), with $97.9M worldwide, ahead of Assault on Precinct 13 (2005) at $35.3M and Head-On (2005) at $11.1M. 7 English-language films released that week report a worldwide gross, $144.6M in all, 72% of it from the US & Canada. That is down 14% on Week 3, 2005, whose releases took $167.4M. By genre, Drama leads with $144.3M across 4 English releases.
#1 of 7 2005 · Adventure, Drama
$97.9M worldwide · 68% of the chart's total
Are We There Yet? (2005) leads with $97.9M, 68% of the total. The top 5 together took $144.6M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2005 (Jan 16–22).
Jan 21, 2005 US and Canada: $82.7M Rest of the world: $15.2M Worldwide: $97.9M
Jan 19, 2005 US and Canada: $20M Rest of the world: $15.3M Worldwide: $35.3M
Jan 21, 2005 US and Canada: $435.4K Rest of the world: $10.6M Worldwide: $11.1M
Jan 21, 2005 US and Canada: $246.1K Rest of the world: Worldwide: $246.1K
Jan 20, 2005 US and Canada: $72.8K Rest of the world: Worldwide: $72.8K
Jan 22, 2005 US and Canada: $34.8K Rest of the world: Worldwide: $34.8K
Jan 22, 2005 US and Canada: – Rest of the world: – Worldwide: $9K Of the top 7, Watermarks (2005) earned the biggest share at home (100% in the US & Canada), while Head-On (2005) made 96% of its gross abroad. Across all 7 films, $103.5M (72%) came from the US & Canada. 1 film of the top 7 reports no US & Canada figure.
Week 4 releases took $144.6M. The biggest of these 9 weeks is week 52, 2004 (Dec 19–25) with $610.8M, led by Meet the Fockers (2004).
Of these 10 years, Week 4, 2002 earned the most: $201.3M from 11 films, led by The Count of Monte Cristo (2002). Week 4, 2005 took $144.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 4, 1996 Jan 21–27 5 films | 5 | $4.5M | – | Big Bully (1996) $2M |
| Week 4, 1997 Jan 19–25 4 films · +181% | 4 | $12.7M | +181% | Fierce Creatures (1997) $9.4M |
| Week 4, 1998 Jan 18–24 5 films · +192% | 5 | $37M | +192% | Spice World (1998) $29.4M |
| Week 4, 1999 Jan 17–23 1 film · −89% | 1 | $4M | −89% | Playing by Heart (1999) $4M |
| Week 4, 2000 Jan 16–22 3 films · +552% | 3 | $25.9M | +552% | Down to You (2000) $24.4M |
| Week 4, 2001 Jan 21–27 2 films · +275% | 2 | $97M | +275% | The Wedding Planner (2001) $94.7M |
| Week 4, 2002 Jan 20–26 11 films · +107% | 11 | $201.3M | +107% | The Count of Monte Cristo (2002) $75.4M |
| Week 4, 2003 Jan 19–25 6 films · −71% | 6 | $58.2M | −71% | Darkness Falls (2003) $47.5M |
| Week 4, 2004 Jan 18–24 4 films · −30% | 4 | $40.7M | −30% | Win a Date with Tad Hamilton! (2004) $21.5M |
| Week 4, 2005 Jan 16–22 7 films · +255% | 7 | $144.6M | +255% | Are We There Yet? (2005) $97.9M |
53 weeks of 2005 with reported grosses; the biggest is week 50 (Dec 4–10) with $1.1B, led by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Are We There Yet? (2005) leads with $97.9M worldwide, $82.7M of it in the US & Canada. Next come Assault on Precinct 13 (2005) at $35.3M and Head-On (2005) at $11.1M.
7 English-language films released in week 4 of 2005 (Jan 16–22) report a worldwide gross, $144.6M in all, or $20.7M per film on average. Week 3, 2005 releases took $167.4M.
None. The biggest, Are We There Yet? (2005), earned $97.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2005 (Jan 16–22). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.