#1 of 5 2005 · Action, Adventure
$79.3M worldwide · 54% of the chart's total
Stealth (2005) is the highest-grossing English-language movie released in week 31 of 2005 (Jul 24–30), with $79.3M worldwide, ahead of Must Love Dogs (2005) at $58.2M and The Aristocrats (2005) at $6.8M. 5 English-language films released that week report a worldwide gross, $146.1M in all, 56% of it from the US & Canada. That is down 40% on Week 30, 2005, whose releases took $243.3M. By genre, Action leads with $79.3M across 1 English release.
#1 of 5 2005 · Action, Adventure
$79.3M worldwide · 54% of the chart's total
Stealth (2005) leads with $79.3M, 54% of the total. The top 5 together took $146.1M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 31 of 2005 (Jul 24–30).
Jul 29, 2005 US and Canada: $32.1M Rest of the world: $47.2M Worldwide: $79.3M
Jul 29, 2005 US and Canada: $43.9M Rest of the world: $14.3M Worldwide: $58.2M
Jul 29, 2005 US and Canada: $6.4M Rest of the world: $432.3K Worldwide: $6.8M
Jul 29, 2005 US and Canada: $15.5K Rest of the world: $1.8M Worldwide: $1.8M
Jul 29, 2005 US and Canada: $20.7K Rest of the world: Worldwide: $20.7K Of the top 5, The Last Dispatch (2005) earned the biggest share at home (100% in the US & Canada), while Oyster Farmer (2005) made 99% of its gross abroad. Across all 5 films, $82.4M (56%) came from the US & Canada.
Week 31 releases took $146.1M. The biggest of these 9 weeks is week 29 (Jul 10–16) with $765.4M, led by Charlie and the Chocolate Factory (2005).
Of these 10 years, Week 31, 2001 earned the most: $512.7M from 2 films, led by Rush Hour 2 (2001). Week 31, 2005 took $146.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 31, 1996 Jul 28–Aug 3 3 films | 3 | $61.6M | – | Chain Reaction (1996) $60.2M |
| Week 31, 1997 Jul 27–Aug 2 5 films · +166% | 5 | $163.8M | +166% | Spawn (1997) $87.8M |
| Week 31, 1998 Jul 26–Aug 1 6 films · −10% | 6 | $147.5M | −10% | The Parent Trap (1998) $92.1M |
| Week 31, 1999 Jul 25–31 4 films · +222% | 4 | $475.1M | +222% | Runaway Bride (1999) $309.5M |
| Week 31, 2000 Jul 23–29 5 films · −60% | 5 | $188.2M | −60% | Nutty Professor II: The Klumps (2000) $166.3M |
| Week 31, 2001 Jul 29–Aug 4 2 films · +172% | 2 | $512.7M | +172% | Rush Hour 2 (2001) $347.3M |
| Week 31, 2002 Jul 28–Aug 3 5 films · −7% | 5 | $476.5M | −7% | Signs (2002) $408.2M |
| Week 31, 2003 Jul 27–Aug 2 5 films · −44% | 5 | $264.9M | −44% | American Wedding (2003) $232.7M |
| Week 31, 2004 Jul 25–31 10 films · +68% | 10 | $445.2M | +68% | The Village (2004) $256.7M |
| Week 31, 2005 Jul 24–30 5 films · −67% | 5 | $146.1M | −67% | Stealth (2005) $79.3M |
53 weeks of 2005 with reported grosses; the biggest is week 50 (Dec 4–10) with $1.1B, led by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Stealth (2005) leads with $79.3M worldwide, $32.1M of it in the US & Canada. Next come Must Love Dogs (2005) at $58.2M and The Aristocrats (2005) at $6.8M.
5 English-language films released in week 31 of 2005 (Jul 24–30) report a worldwide gross, $146.1M in all, or $29.2M per film on average. Week 30, 2005 releases took $243.3M.
None. The biggest, Stealth (2005), earned $79.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 31 of 2005 (Jul 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.