#1 of 5 2005 · Drama, Mystery
$127.4M worldwide · 83% of the chart's total
Hide and Seek (2005) is the highest-grossing English-language movie released in week 5 of 2005 (Jan 23–29), with $127.4M worldwide, ahead of Aliens of the Deep (2005) at $12.8M and Alone in the Dark (2005) at $12.7M. 5 English-language films released that week report a worldwide gross, $153.1M in all, 43% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 6% on Week 4, 2005, whose releases took $144.6M. By genre, Horror leads with $140.1M across 2 English releases.
#1 of 5 2005 · Drama, Mystery
$127.4M worldwide · 83% of the chart's total
Hide and Seek (2005) leads with $127.4M, 83% of the total. The top 5 together took $153.1M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 5 of 2005 (Jan 23–29).
Jan 28, 2005 US and Canada: $51.1M Rest of the world: $76.3M Worldwide: $127.4M
Jan 28, 2005 US and Canada: $9M Rest of the world: $3.8M Worldwide: $12.8M
Jan 28, 2005 US and Canada: $5.2M Rest of the world: $7.5M Worldwide: $12.7M
Jan 23, 2005 US and Canada: $215.3K Rest of the world: Worldwide: $215.3K
Jan 28, 2005 US and Canada: $16.7K Rest of the world: Worldwide: $16.7K Of the top 5, How the Garcia Girls Spent Their Summer (2005) earned the biggest share at home (100% in the US & Canada), while Hide and Seek (2005) made 60% of its gross abroad. Across all 5 films, $65.5M (43%) came from the US & Canada.
Week 5 releases took $153.1M. The biggest of these 9 weeks is week 52, 2004 (Dec 19–25) with $610.8M, led by Meet the Fockers (2004).
Of these 10 years, Week 5, 2003 earned the most: $242.2M from 7 films, led by The Recruit (2003). Week 5, 2005 took $153.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 5, 1996 Jan 28–Feb 3 3 films | 3 | $46.7M | – | Black Sheep (1996) $32.4M |
| Week 5, 1997 Jan 26–Feb 1 3 films · −73% | 3 | $12.6M | −73% | Gridlock’d (1997) $5.6M |
| Week 5, 1998 Jan 25–31 4 films · +557% | 4 | $82.6M | +557% | Great Expectations (1998) $55.5M |
| Week 5, 1999 Jan 24–30 2 films · +25% | 2 | $103.3M | +25% | She's All That (1999) $103.2M |
| Week 5, 2000 Jan 23–29 5 films · −80% | 5 | $21M | −80% | Eye of the Beholder (2000) $17.6M |
| Week 5, 2001 Jan 28–Feb 3 5 films · −13% | 5 | $18.3M | −13% | Head Over Heels (2001) $13.1M |
| Week 5, 2002 Jan 27–Feb 2 4 films · +32% | 4 | $24.2M | +32% | Birthday Girl (2002) $16.2M |
| Week 5, 2003 Jan 26–Feb 1 7 films · +900% | 7 | $242.2M | +900% | The Recruit (2003) $101.2M |
| Week 5, 2004 Jan 25–31 7 films · −71% | 7 | $70.1M | −71% | You Got Served (2004) $50.6M |
| Week 5, 2005 Jan 23–29 5 films · +118% | 5 | $153.1M | +118% | Hide and Seek (2005) $127.4M |
53 weeks of 2005 with reported grosses; the biggest is week 50 (Dec 4–10) with $1.1B, led by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Hide and Seek (2005) leads with $127.4M worldwide, $51.1M of it in the US & Canada. Next come Aliens of the Deep (2005) at $12.8M and Alone in the Dark (2005) at $12.7M.
5 English-language films released in week 5 of 2005 (Jan 23–29) report a worldwide gross, $153.1M in all, or $30.6M per film on average. Week 4, 2005 releases took $144.6M.
None. 1 film crossed $100 million, led by Hide and Seek (2005) with $127.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 5 of 2005 (Jan 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.