#1 of 7 2003 · Action, Thriller
$101.2M worldwide · 42% of the chart's total
The Recruit (2003) is the highest-grossing English-language movie released in week 5 of 2003 (Jan 26–Feb 1), with $101.2M worldwide, ahead of Final Destination 2 (2003) at $90.9M and The Guru (2003) at $24.1M. 7 English-language films released that week report a worldwide gross, $242.2M in all, 52% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 4.2 times the total of Week 4, 2003, whose releases took $58.2M. By genre, Thriller leads with $192.1M across 2 English releases.
#1 of 7 2003 · Action, Thriller
$101.2M worldwide · 42% of the chart's total
The Recruit (2003) leads with $101.2M, 42% of the total. The top 5 together took $241.2M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 5 of 2003 (Jan 26–Feb 1).
Jan 31, 2003 US and Canada: $52.8M Rest of the world: $48.4M Worldwide: $101.2M
Jan 31, 2003 US and Canada: $47M Rest of the world: $44M Worldwide: $90.9M
Jan 31, 2003 US and Canada: $3.1M Rest of the world: $21M Worldwide: $24.1M
Jan 31, 2003 US and Canada: $22.1M Rest of the world: $1.4M Worldwide: $23.5M
Jan 31, 2003 US and Canada: $732.4K Rest of the world: $674.6K Worldwide: $1.4M
Jan 30, 2003 US and Canada: – Rest of the world: – Worldwide: $999.1K
Jan 31, 2003 US and Canada: – Rest of the world: – Worldwide: $57.5K Of the top 7, Biker Boyz (2003) earned the biggest share at home (94% in the US & Canada), while The Guru (2003) made 87% of its gross abroad. Across all 7 films, $125.7M (52%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 5 releases took $242.2M. The biggest of these 9 weeks is week 52, 2002 (Dec 22–28) with $521.5M, led by Catch Me If You Can (2002).
Of these 10 years, Week 5, 2003 earned the most: $242.2M from 7 films, led by The Recruit (2003).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 5, 1994 Jan 23–29 3 films | 3 | $1.6M | – | Car 54, Where Are You? (1994) $1.2M |
| Week 5, 1995 Jan 29–Feb 4 4 films · +2379% | 4 | $40.8M | +2379% | Boys on the Side (1995) $23.4M |
| Week 5, 1996 Jan 28–Feb 3 3 films · +14% | 3 | $46.7M | +14% | Black Sheep (1996) $32.4M |
| Week 5, 1997 Jan 26–Feb 1 3 films · −73% | 3 | $12.6M | −73% | Gridlock’d (1997) $5.6M |
| Week 5, 1998 Jan 25–31 4 films · +557% | 4 | $82.6M | +557% | Great Expectations (1998) $55.5M |
| Week 5, 1999 Jan 24–30 2 films · +25% | 2 | $103.3M | +25% | She's All That (1999) $103.2M |
| Week 5, 2000 Jan 23–29 5 films · −80% | 5 | $21M | −80% | Eye of the Beholder (2000) $17.6M |
| Week 5, 2001 Jan 28–Feb 3 5 films · −13% | 5 | $18.3M | −13% | Head Over Heels (2001) $13.1M |
| Week 5, 2002 Jan 27–Feb 2 4 films · +32% | 4 | $24.2M | +32% | Birthday Girl (2002) $16.2M |
| Week 5, 2003 Jan 26–Feb 1 7 films · +900% | 7 | $242.2M | +900% | The Recruit (2003) $101.2M |
53 weeks of 2003 with reported grosses; the biggest is week 51 (Dec 14–20) with $1.5B, led by The Lord of the Rings: The Return of the King (2003).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Recruit (2003) leads with $101.2M worldwide, $52.8M of it in the US & Canada. Next come Final Destination 2 (2003) at $90.9M and The Guru (2003) at $24.1M.
7 English-language films released in week 5 of 2003 (Jan 26–Feb 1) report a worldwide gross, $242.2M in all, or $34.6M per film on average. Week 4, 2003 releases took $58.2M.
None. 1 film crossed $100 million, led by The Recruit (2003) with $101.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 5 of 2003 (Jan 26–Feb 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.