#1 of 6 2003 · Thriller, Horror
$47.5M worldwide · 82% of the chart's total
Darkness Falls (2003) is the highest-grossing English-language movie released in week 4 of 2003 (Jan 19–25), with $47.5M worldwide, ahead of Amen. (2003) at $8.4M and The R.M. (2003) at $1.1M. 6 English-language films released that week report a worldwide gross, $58.2M in all, 59% of it from the US & Canada. That is down 45% on Week 3, 2003, whose releases took $106.6M. By genre, Horror leads with $47.5M across 1 English release.
#1 of 6 2003 · Thriller, Horror
$47.5M worldwide · 82% of the chart's total
Darkness Falls (2003) leads with $47.5M, 82% of the total. The top 5 together took $58.2M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2003 (Jan 19–25).
Jan 24, 2003 US and Canada: $32.6M Rest of the world: $14.9M Worldwide: $47.5M
Jan 24, 2003 US and Canada: $274.3K Rest of the world: $8.1M Worldwide: $8.4M
Jan 24, 2003 US and Canada: $1.1M Rest of the world: Worldwide: $1.1M
Jan 19, 2003 US and Canada: – Rest of the world: – Worldwide: $783.5K
Jan 22, 2003 US and Canada: $25.9K Rest of the world: Worldwide: $25.9K Of the top 6, The R.M. (2003) earned the biggest share at home (100% in the US & Canada), while Amen. (2003) made 97% of its gross abroad. Across all 6 films, $34.4M (59%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 4 releases took $58.2M. The biggest of these 9 weeks is week 52, 2002 (Dec 22–28) with $521.5M, led by Catch Me If You Can (2002).
Of these 10 years, Week 4, 2002 earned the most: $201.3M from 11 films, led by The Count of Monte Cristo (2002). Week 4, 2003 took $58.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 4, 1994 Jan 16–22 2 films | 2 | $2.4M | – | Go Fish (1994) $2.4M |
| Week 4, 1995 Jan 22–28 4 films · +526% | 4 | $15.1M | +526% | Before Sunrise (1995) $6.6M |
| Week 4, 1996 Jan 21–27 5 films · −70% | 5 | $4.5M | −70% | Big Bully (1996) $2M |
| Week 4, 1997 Jan 19–25 4 films · +181% | 4 | $12.7M | +181% | Fierce Creatures (1997) $9.4M |
| Week 4, 1998 Jan 18–24 5 films · +192% | 5 | $37M | +192% | Spice World (1998) $29.4M |
| Week 4, 1999 Jan 17–23 1 film · −89% | 1 | $4M | −89% | Playing by Heart (1999) $4M |
| Week 4, 2000 Jan 16–22 3 films · +552% | 3 | $25.9M | +552% | Down to You (2000) $24.4M |
| Week 4, 2001 Jan 21–27 2 films · +275% | 2 | $97M | +275% | The Wedding Planner (2001) $94.7M |
| Week 4, 2002 Jan 20–26 11 films · +107% | 11 | $201.3M | +107% | The Count of Monte Cristo (2002) $75.4M |
| Week 4, 2003 Jan 19–25 6 films · −71% | 6 | $58.2M | −71% | Darkness Falls (2003) $47.5M |
53 weeks of 2003 with reported grosses; the biggest is week 51 (Dec 14–20) with $1.5B, led by The Lord of the Rings: The Return of the King (2003).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Darkness Falls (2003) leads with $47.5M worldwide, $32.6M of it in the US & Canada. Next come Amen. (2003) at $8.4M and The R.M. (2003) at $1.1M.
6 English-language films released in week 4 of 2003 (Jan 19–25) report a worldwide gross, $58.2M in all, or $9.7M per film on average. Week 3, 2003 releases took $106.6M.
None. The biggest, Darkness Falls (2003), earned $47.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2003 (Jan 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.