#1 of 7 2003 · Mystery, Thriller
$97.8M worldwide · 63% of the chart's total
Phone Booth (2003) is the highest-grossing English-language movie released in week 14 of 2003 (Mar 30–Apr 5), with $97.8M worldwide, ahead of What a Girl Wants (2003) at $50.7M and The Good Thief (2003) at $5.8M. 7 English-language films released that week report a worldwide gross, $156M in all, 56% of it from the US & Canada. That is down 2% on Week 13, 2003, whose releases took $159.4M. By genre, Thriller leads with $103.6M across 2 English releases.
#1 of 7 2003 · Mystery, Thriller
$97.8M worldwide · 63% of the chart's total
Phone Booth (2003) leads with $97.8M, 63% of the total. The top 5 together took $155.6M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 2003 (Mar 30–Apr 5).
Apr 4, 2003 US and Canada: $46.6M Rest of the world: $51.3M Worldwide: $97.8M
Apr 4, 2003 US and Canada: $36.1M Rest of the world: $14.6M Worldwide: $50.7M
Apr 2, 2003 US and Canada: $3.5M Rest of the world: $2.2M Worldwide: $5.8M
Apr 4, 2003 US and Canada: $209.7K Rest of the world: $513.3K Worldwide: $723K
Apr 4, 2003 US and Canada: $505.7K Rest of the world: Worldwide: $505.7K
Apr 4, 2003 US and Canada: – Rest of the world: – Worldwide: $302.6K
Apr 2, 2003 US and Canada: $106.7K Rest of the world: $12.5K Worldwide: $119.2K Of the top 7, Manna from Heaven (2003) earned the biggest share at home (100% in the US & Canada), while Levity (2003) made 71% of its gross abroad. Across all 7 films, $87M (56%) came from the US & Canada. 1 film of the top 7 reports no US & Canada figure.
Week 14 releases took $156M. The biggest of these 9 weeks is week 15 (Apr 6–12) with $246.2M, led by Anger Management (2003).
Of these 10 years, Week 14, 1999 earned the most: $561.2M from 6 films, led by The Matrix (1999). Week 14, 2003 took $156M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 1994 Mar 27–Apr 2 3 films | 3 | $41.8M | – | Major League II (1994) $30.6M |
| Week 14, 1995 Apr 2–8 6 films · +564% | 6 | $277.8M | +564% | Bad Boys (1995) $141.4M |
| Week 14, 1996 Mar 31–Apr 6 4 films · −49% | 4 | $140.3M | −49% | Primal Fear (1996) $102.6M |
| Week 14, 1997 Mar 30–Apr 5 6 films · +18% | 6 | $164.9M | +18% | The Saint (1997) $118.1M |
| Week 14, 1998 Mar 29–Apr 4 4 films · −29% | 4 | $117M | −29% | Mercury Rising (1998) $93.1M |
| Week 14, 1999 Mar 28–Apr 3 6 films · +380% | 6 | $561.2M | +380% | The Matrix (1999) $467.8M |
| Week 14, 2000 Mar 26–Apr 1 4 films · −68% | 4 | $177.9M | −68% | The Road to El Dorado (2000) $76.4M |
| Week 14, 2001 Apr 1–7 6 films · +16% | 6 | $206.1M | +16% | Along Came a Spider (2001) $105.2M |
| Week 14, 2002 Mar 31–Apr 6 7 films · −43% | 7 | $117.1M | −43% | High Crimes (2002) $63.8M |
| Week 14, 2003 Mar 30–Apr 5 7 films · +33% | 7 | $156M | +33% | Phone Booth (2003) $97.8M |
53 weeks of 2003 with reported grosses; the biggest is week 51 (Dec 14–20) with $1.5B, led by The Lord of the Rings: The Return of the King (2003).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Phone Booth (2003) leads with $97.8M worldwide, $46.6M of it in the US & Canada. Next come What a Girl Wants (2003) at $50.7M and The Good Thief (2003) at $5.8M.
7 English-language films released in week 14 of 2003 (Mar 30–Apr 5) report a worldwide gross, $156M in all, or $22.3M per film on average. Week 13, 2003 releases took $159.4M.
None. The biggest, Phone Booth (2003), earned $97.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 2003 (Mar 30–Apr 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.