Skip to content
What's After the Movie?
Thriller box office · Week 14 · Mar 30–Apr 5, 2003

Thriller Box Office, Week 14 of 2003: Thriller Releases of Mar 30–Apr 5

Phone Booth (2003) is the highest-grossing thriller movie released in week 14 of 2003 (Mar 30–Apr 5), with $97.8M worldwide, ahead of A Man Apart (2003) at $44.4M and The Man Without a Past (2003) at $9.6M. 4 thriller films released that week report a worldwide gross, $157.5M in all, 49% of it from the US & Canada. That is up 34% on Week 13, 2003, whose releases took $117.3M.

week 14 releases with a gross
4
combined worldwide
$157.5M
Phone Booth (2003), the #1
$97.8M
vs Week 13, 2003
+34%
Phone Booth (2003) movie poster #1 of 4
#1 thriller movie of Week 14, 2003

Phone Booth (2003)

2003 · Mystery, Thriller

$97.8M worldwide · 62% of the chart's total

$46.6M US & Canada · 48% $51.3M elsewhere · 52%
Top 4

What Were the Biggest Thriller Hits of Week 14 of 2003?

Phone Booth (2003) leads with $97.8M, 62% of the total. The top 4 together took $157.5M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Phone Booth (2003) movie poster Number 1
    $97.8M Phone Booth (2003)
    $46.6M US & Canada · 48% $51.3M elsewhere · 52%
  2. A Man Apart (2003) movie poster Number 2
    $44.4M A Man Apart (2003)
    $26.7M US & Canada · 60% $17.6M elsewhere · 40%
  3. The Man Without a Past (2003) movie poster Number 3
    $9.6M The Man Without a Past (2003)
    $921.8K US & Canada · 10% $8.6M elsewhere · 90%
  4. The Good Thief (2003) movie poster Number 4
    $5.8M The Good Thief (2003)
    $3.5M US & Canada · 61% $2.2M elsewhere · 39%

US & Canada (domestic) Rest of the world

The chart

Every Thriller Release of Week 14 of 2003, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 2003 (Mar 30–Apr 5).

  1. 1 Phone Booth (2003) movie poster
    Phone Booth (2003) Apr 4, 2003 · English · Mystery, Thriller $97.8M worldwide
    Apr 4, 2003 US and Canada: $46.6M Rest of the world: $51.3M Worldwide: $97.8M
  2. 2 A Man Apart (2003) movie poster
    A Man Apart (2003) Apr 4, 2003 · Action, Drama, Thriller $44.4M worldwide
    Apr 4, 2003 US and Canada: $26.7M Rest of the world: $17.6M Worldwide: $44.4M
  3. 3 The Man Without a Past (2003) movie poster
    The Man Without a Past (2003) Apr 4, 2003 · Finnish · Drama, Thriller, Comedy $9.6M worldwide
    Apr 4, 2003 US and Canada: $921.8K Rest of the world: $8.6M Worldwide: $9.6M
  4. 4 The Good Thief (2003) movie poster
    The Good Thief (2003) Apr 2, 2003 · English · Drama, Thriller, Crime $5.8M worldwide
    Apr 2, 2003 US and Canada: $3.5M Rest of the world: $2.2M Worldwide: $5.8M
US & Canada vs the world

Where Did the Money Come From in Week 14 of 2003?

Of the top 4, The Good Thief (2003) earned the biggest share at home (61% in the US & Canada), while The Man Without a Past (2003) made 90% of its gross abroad. Across all 4 films, $77.7M (49%) came from the US & Canada.

  1. 1 Phone Booth (2003) $97.8M
    $46.6M US & Canada · 48% $51.3M elsewhere · 52%
  2. 2 A Man Apart (2003) $44.4M
    $26.7M US & Canada · 60% $17.6M elsewhere · 40%
  3. 3 The Man Without a Past (2003) $9.6M
    $921.8K US & Canada · 10% $8.6M elsewhere · 90%
  4. 4 The Good Thief (2003) $5.8M
    $3.5M US & Canada · 61% $2.2M elsewhere · 39%
Earlier years

How Does Week 14 of 2003 Compare With Earlier Years?

Of these 10 years, Week 14, 1999 earned the most: $468M from 2 films, led by The Matrix (1999). Week 14, 2003 took $157.5M.

Week Films Worldwide Change Biggest film
Week 14, 1994 Mar 27–Apr 2 No films 0 – – –
Week 14, 1995 Apr 2–8 1 film 1 $141.4M – Bad Boys (1995) $141.4M
Week 14, 1996 Mar 31–Apr 6 2 films · −2% 2 $138.2M −2% Primal Fear (1996) $102.6M
Week 14, 1997 Mar 30–Apr 5 2 films · −6% 2 $129.5M −6% The Saint (1997) $118.1M
Week 14, 1998 Mar 29–Apr 4 3 films · +84% 3 $238.9M +84% Lost in Space (1998) $136.2M
Week 14, 1999 Mar 28–Apr 3 2 films · +96% 2 $468M +96% The Matrix (1999) $467.8M
Week 14, 2000 Mar 26–Apr 1 1 film · −89% 1 $50.8M −89% The Skulls (2000) $50.8M
Week 14, 2001 Apr 1–7 2 films · +108% 2 $105.5M +108% Along Came a Spider (2001) $105.2M
Week 14, 2002 Mar 31–Apr 6 2 films · −31% 2 $72.3M −31% High Crimes (2002) $63.8M
Week 14, 2003 Mar 30–Apr 5 4 films · +118% 4 $157.5M +118% Phone Booth (2003) $97.8M
FAQ

Thriller Box Office Week 14 of 2003: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing thriller movie in week 14 of 2003 (Mar 30–Apr 5)?

Phone Booth (2003) leads with $97.8M worldwide, $46.6M of it in the US & Canada. Next come A Man Apart (2003) at $44.4M and The Man Without a Past (2003) at $9.6M.

How much did thriller movies released in week 14 of 2003 (Mar 30–Apr 5) earn?

4 thriller films released in week 14 of 2003 (Mar 30–Apr 5) report a worldwide gross, $157.5M in all, or $39.4M per film on average. Week 13, 2003 releases took $117.3M.

How many thriller movies released in week 14 of 2003 (Mar 30–Apr 5) made $1 billion?

None. The biggest, Phone Booth (2003), earned $97.8M.

How much of the Week 14, 2003 Thriller box office came from the US and Canada?

$77.7M of the $157.5M total, or 49%, was earned in the US & Canada (the domestic market); the rest came from other countries. 0 films of the 4 report no domestic figure.

How is the week 14, 2003 thriller box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 2003 (Mar 30–Apr 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 14, 2003 thriller box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.