#1 of 5 2000 · Mystery, Thriller
$17.6M worldwide · 84% of the chart's total
Eye of the Beholder (2000) is the highest-grossing English-language movie released in week 5 of 2000 (Jan 23–29), with $17.6M worldwide, ahead of Isn't She Great (2000) at $3M and The Big Tease (2000) at $187.2K. 5 English-language films released that week report a worldwide gross, $21M in all, 95% of it from the US & Canada. That is down 19% on Week 4, 2000, whose releases took $25.9M. By genre, Mystery leads with $17.6M across 1 English release.
#1 of 5 2000 · Mystery, Thriller
$17.6M worldwide · 84% of the chart's total
Eye of the Beholder (2000) leads with $17.6M, 84% of the total. The top 5 together took $21M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 5 of 2000 (Jan 23–29).
Jan 28, 2000 US and Canada: $16.5M Rest of the world: $1.1M Worldwide: $17.6M
Jan 28, 2000 US and Canada: $3M Rest of the world: $40.8K Worldwide: $3M
Jan 28, 2000 US and Canada: $187.2K Rest of the world: Worldwide: $187.2K
Jan 28, 2000 US and Canada: $168.9K Rest of the world: Worldwide: $168.9K
Jan 25, 2000 US and Canada: – Rest of the world: – Worldwide: $12.4K Of the top 5, The Big Tease (2000) earned the biggest share at home (100% in the US & Canada), while Eye of the Beholder (2000) made 6% of its gross abroad. Across all 5 films, $19.8M (95%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 5 releases took $21M. The biggest of these 9 weeks is week 52, 1999 (Dec 19–25) with $471.8M, led by The Talented Mr. Ripley (1999).
Of these 10 years, Week 5, 1999 earned the most: $103.3M from 2 films, led by She's All That (1999). Week 5, 2000 took $21M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 5, 1991 Jan 27–Feb 2 4 films | 4 | $10.5M | – | Run (1991) $4.4M |
| Week 5, 1992 Jan 26–Feb 1 1 film · +318% | 1 | $43.8M | +318% | Shining Through (1992) $43.8M |
| Week 5, 1993 Jan 24–30 2 films · −84% | 2 | $7M | −84% | Children of the Corn II: The Final Sacrifice (1993) $7M |
| Week 5, 1994 Jan 23–29 3 films · −77% | 3 | $1.6M | −77% | Car 54, Where Are You? (1994) $1.2M |
| Week 5, 1995 Jan 29–Feb 4 4 films · +2379% | 4 | $40.8M | +2379% | Boys on the Side (1995) $23.4M |
| Week 5, 1996 Jan 28–Feb 3 3 films · +14% | 3 | $46.7M | +14% | Black Sheep (1996) $32.4M |
| Week 5, 1997 Jan 26–Feb 1 3 films · −73% | 3 | $12.6M | −73% | Gridlock’d (1997) $5.6M |
| Week 5, 1998 Jan 25–31 4 films · +557% | 4 | $82.6M | +557% | Great Expectations (1998) $55.5M |
| Week 5, 1999 Jan 24–30 2 films · +25% | 2 | $103.3M | +25% | She's All That (1999) $103.2M |
| Week 5, 2000 Jan 23–29 5 films · −80% | 5 | $21M | −80% | Eye of the Beholder (2000) $17.6M |
52 weeks of 2000 with reported grosses; the biggest is week 52 (Dec 17–23) with $1B, led by Cast Away (2000).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Eye of the Beholder (2000) leads with $17.6M worldwide, $16.5M of it in the US & Canada. Next come Isn't She Great (2000) at $3M and The Big Tease (2000) at $187.2K.
5 English-language films released in week 5 of 2000 (Jan 23–29) report a worldwide gross, $21M in all, or $4.2M per film on average. Week 4, 2000 releases took $25.9M.
None. The biggest, Eye of the Beholder (2000), earned $17.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 5 of 2000 (Jan 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.