#1 of 4 2000 · Sci-Fi, Drama
$68.1M worldwide · 40% of the chart's total
Frequency (2000) is the highest-grossing English-language movie released in week 18 of 2000 (Apr 23–29), with $68.1M worldwide, ahead of The Flintstones in Viva Rock Vegas (2000) at $59.5M and Where the Heart Is (2000) at $40.9M. 4 English-language films released that week report a worldwide gross, $172.2M in all, 68% of it from the US & Canada. That is down 4% on Week 17, 2000, whose releases took $178.9M.
#1 of 4 2000 · Sci-Fi, Drama
$68.1M worldwide · 40% of the chart's total
Frequency (2000) leads with $68.1M, 40% of the total. The top 4 together took $172.2M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 18 of 2000 (Apr 23–29).
Apr 28, 2000 US and Canada: $45M Rest of the world: $23.1M Worldwide: $68.1M
Apr 28, 2000 US and Canada: $35.3M Rest of the world: $24.2M Worldwide: $59.5M
Apr 28, 2000 US and Canada: $33.8M Rest of the world: $7.1M Worldwide: $40.9M
Apr 28, 2000 US and Canada: $3.2M Rest of the world: $563.3K Worldwide: $3.7M Of the top 4, The Big Kahuna (2000) earned the biggest share at home (85% in the US & Canada), while The Flintstones in Viva Rock Vegas (2000) made 41% of its gross abroad. Across all 4 films, $117.2M (68%) came from the US & Canada.
Week 18 releases took $172.2M. The biggest of these 9 weeks is week 19 (Apr 30–May 6) with $509M, led by Gladiator (2000).
Of these 10 years, Week 18, 1999 earned the most: $220.5M from 3 films, led by Entrapment (1999). Week 18, 2000 took $172.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 18, 1991 Apr 28–May 4 5 films | 5 | $28.3M | – | One Good Cop (1991) $11.3M |
| Week 18, 1992 Apr 26–May 2 3 films · −54% | 3 | $13.1M | −54% | Folks! (1992) $6.1M |
| Week 18, 1993 Apr 25–May 1 6 films · +24% | 6 | $16.2M | +24% | Three of Hearts (1993) $5.5M |
| Week 18, 1994 Apr 24–30 6 films · +537% | 6 | $103M | +537% | When a Man Loves a Woman (1994) $50M |
| Week 18, 1995 Apr 30–May 6 2 films · +6% | 2 | $108.8M | +6% | French Kiss (1995) $102M |
| Week 18, 1996 Apr 28–May 4 4 films · −67% | 4 | $36.2M | −67% | The Craft (1996) $24.8M |
| Week 18, 1997 Apr 27–May 3 5 films · +248% | 5 | $125.8M | +248% | Austin Powers: International Man of Mystery (1997) $67.7M |
| Week 18, 1998 Apr 26–May 2 7 films · −57% | 7 | $53.8M | −57% | He Got Game (1998) $21.6M |
| Week 18, 1999 Apr 25–May 1 3 films · +310% | 3 | $220.5M | +310% | Entrapment (1999) $212.4M |
| Week 18, 2000 Apr 23–29 4 films · −22% | 4 | $172.2M | −22% | Frequency (2000) $68.1M |
52 weeks of 2000 with reported grosses; the biggest is week 52 (Dec 17–23) with $1B, led by Cast Away (2000).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Frequency (2000) leads with $68.1M worldwide, $45M of it in the US & Canada. Next come The Flintstones in Viva Rock Vegas (2000) at $59.5M and Where the Heart Is (2000) at $40.9M.
4 English-language films released in week 18 of 2000 (Apr 23–29) report a worldwide gross, $172.2M in all, or $43M per film on average. Week 17, 2000 releases took $178.9M.
None. The biggest, Frequency (2000), earned $68.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 18 of 2000 (Apr 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.