Skip to content
What's After the Movie?
English box office · Week 6 · Jan 30–Feb 5, 2005

English Box Office, Week 6 of 2005: English Releases of Jan 30–Feb 5

Boogeyman (2005) is the highest-grossing English-language movie released in week 6 of 2005 (Jan 30–Feb 5), with $67.2M worldwide, ahead of The Wedding Date (2005) at $47.1M and The Nomi Song (2005) at $74.6K. 4 English-language films released that week report a worldwide gross, $114.4M in all, 69% of it from the US & Canada. That is down 25% on Week 5, 2005, whose releases took $153.1M.

week 6 releases with a gross
4
combined worldwide
$114.4M
Boogeyman (2005), the #1
$67.2M
vs Week 5, 2005
−25%
Boogeyman (2005) movie poster #1 of 4
#1 English-language movie of Week 6, 2005

Boogeyman (2005)

2005 · Drama, Mystery

$67.2M worldwide · 59% of the chart's total

$46.8M US & Canada · 70% $20.4M elsewhere · 30%
Top 4

What Were the Biggest English Hits of Week 6 of 2005?

Boogeyman (2005) leads with $67.2M, 59% of the total. The top 4 together took $114.4M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Boogeyman (2005) movie poster Number 1
    $67.2M Boogeyman (2005)
    $46.8M US & Canada · 70% $20.4M elsewhere · 30%
  2. The Wedding Date (2005) movie poster Number 2
    $47.1M The Wedding Date (2005)
    $31.7M US & Canada · 67% $15.4M elsewhere · 33%
  3. The Nomi Song (2005) movie poster Number 3
    $74.6K The Nomi Song (2005)
    $74.6K US & Canada · 100% elsewhere · 0%
  4. Harry + Max (2005) movie poster Number 4
    $15.2K Harry + Max (2005)
    $15.2K US & Canada · 100% elsewhere · 0%

US & Canada (domestic) Rest of the world

The chart

Every English Release of Week 6 of 2005, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2005 (Jan 30–Feb 5).

  1. 1 Boogeyman (2005) movie poster
    Boogeyman (2005) Feb 4, 2005 · Drama, Mystery $67.2M worldwide
    Feb 4, 2005 US and Canada: $46.8M Rest of the world: $20.4M Worldwide: $67.2M
  2. 2 The Wedding Date (2005) movie poster
    The Wedding Date (2005) Feb 4, 2005 · Comedy, Romance $47.1M worldwide
    Feb 4, 2005 US and Canada: $31.7M Rest of the world: $15.4M Worldwide: $47.1M
  3. 3 The Nomi Song (2005) movie poster
    The Nomi Song (2005) Feb 4, 2005 · Biography, Music $74.6K worldwide
    Feb 4, 2005 US and Canada: $74.6K Rest of the world: Worldwide: $74.6K
  4. 4 Harry + Max (2005) movie poster
    Harry + Max (2005) Feb 4, 2005 · Drama $15.2K worldwide
    Feb 4, 2005 US and Canada: $15.2K Rest of the world: Worldwide: $15.2K
US & Canada vs the world

Where Did the Money Come From in Week 6 of 2005?

Of the top 4, The Nomi Song (2005) earned the biggest share at home (100% in the US & Canada), while The Wedding Date (2005) made 33% of its gross abroad. Across all 4 films, $78.6M (69%) came from the US & Canada.

  1. 1 Boogeyman (2005) $67.2M
    $46.8M US & Canada · 70% $20.4M elsewhere · 30%
  2. 2 The Wedding Date (2005) $47.1M
    $31.7M US & Canada · 67% $15.4M elsewhere · 33%
  3. 3 The Nomi Song (2005) $74.6K
    $74.6K US & Canada · 100% elsewhere · 0%
  4. 4 Harry + Max (2005) $15.2K
    $15.2K US & Canada · 100% elsewhere · 0%
Earlier years

How Does Week 6 of 2005 Compare With Earlier Years?

Of these 10 years, Week 6, 2001 earned the most: $377.8M from 4 films, led by Hannibal (2001). Week 6, 2005 took $114.4M.

Week Films Worldwide Change Biggest film
Week 6, 1996 Feb 4–10 2 films 2 $160.9M – Broken Arrow (1996) $150.3M
Week 6, 1997 Feb 2–8 4 films · +18% 4 $190.4M +18% Dante's Peak (1997) $178.1M
Week 6, 1998 Feb 1–7 4 films · −78% 4 $42.7M −78% The Replacement Killers (1998) $19.2M
Week 6, 1999 Jan 31–Feb 6 2 films · +289% 2 $166M +289% Payback (1999) $161.6M
Week 6, 2000 Jan 30–Feb 5 2 films · −2% 2 $162M −2% Scream 3 (2000) $161.8M
Week 6, 2001 Feb 4–10 4 films · +133% 4 $377.8M +133% Hannibal (2001) $351.7M
Week 6, 2002 Feb 3–9 5 films · −58% 5 $157.7M −58% Collateral Damage (2002) $78.4M
Week 6, 2003 Feb 2–8 3 films · +80% 3 $283.4M +80% How to Lose a Guy in 10 Days (2003) $177.5M
Week 6, 2004 Feb 1–7 9 films · −59% 9 $115.6M −59% Barbershop 2: Back in Business (2004) $66M
Week 6, 2005 Jan 30–Feb 5 4 films · −1% 4 $114.4M −1% Boogeyman (2005) $67.2M
FAQ

English Box Office Week 6 of 2005: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing English-language movie in week 6 of 2005 (Jan 30–Feb 5)?

Boogeyman (2005) leads with $67.2M worldwide, $46.8M of it in the US & Canada. Next come The Wedding Date (2005) at $47.1M and The Nomi Song (2005) at $74.6K.

How much did English-language movies released in week 6 of 2005 (Jan 30–Feb 5) earn?

4 English-language films released in week 6 of 2005 (Jan 30–Feb 5) report a worldwide gross, $114.4M in all, or $28.6M per film on average. Week 5, 2005 releases took $153.1M.

How many English-language movies released in week 6 of 2005 (Jan 30–Feb 5) made $1 billion?

None. The biggest, Boogeyman (2005), earned $67.2M.

How much of the Week 6, 2005 English box office came from the US and Canada?

$78.6M of the $114.4M total, or 69%, was earned in the US & Canada (the domestic market); the rest came from other countries. 0 films of the 4 report no domestic figure.

How is the week 6, 2005 English box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2005 (Jan 30–Feb 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.

How often is the week 6, 2005 English box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.