#1 of 5 2002 · Action, Thriller
$78.4M worldwide · 50% of the chart's total
Collateral Damage (2002) is the highest-grossing English-language movie released in week 6 of 2002 (Feb 3–9), with $78.4M worldwide, ahead of Big Fat Liar (2002) at $53M and Rollerball (2002) at $25.9M. 5 English-language films released that week report a worldwide gross, $157.7M in all, 68% of it from the US & Canada. That is 6.5 times the total of Week 5, 2002, whose releases took $24.2M. By genre, Action leads with $104.2M across 2 English releases.
#1 of 5 2002 · Action, Thriller
$78.4M worldwide · 50% of the chart's total
Collateral Damage (2002) leads with $78.4M, 50% of the total. The top 5 together took $157.7M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2002 (Feb 3–9).
Feb 8, 2002 US and Canada: $40.1M Rest of the world: $38.3M Worldwide: $78.4M
Feb 8, 2002 US and Canada: $48.4M Rest of the world: $4.6M Worldwide: $53M
Feb 8, 2002 US and Canada: $19M Rest of the world: $6.9M Worldwide: $25.9M
Feb 8, 2002 US and Canada: $384.1K Rest of the world: Worldwide: $384.1K
Feb 7, 2002 US and Canada: – Rest of the world: – Worldwide: $109.6K Of the top 5, Scotland, Pa. (2002) earned the biggest share at home (100% in the US & Canada), while Collateral Damage (2002) made 49% of its gross abroad. Across all 5 films, $107.8M (68%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 6 releases took $157.7M. The biggest of these 9 weeks is week 7 (Feb 10–16) with $336.2M, led by Return to Never Land (2002).
Of these 10 years, Week 6, 2001 earned the most: $377.8M from 4 films, led by Hannibal (2001). Week 6, 2002 took $157.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 1993 Jan 31–Feb 6 4 films | 4 | $202.5M | – | Sommersby (1993) $140.1M |
| Week 6, 1994 Jan 30–Feb 5 3 films · −33% | 3 | $136M | −33% | Ace Ventura: Pet Detective (1994) $107.2M |
| Week 6, 1995 Feb 5–11 3 films · −61% | 3 | $53.5M | −61% | Billy Madison (1995) $26.5M |
| Week 6, 1996 Feb 4–10 2 films · +200% | 2 | $160.9M | +200% | Broken Arrow (1996) $150.3M |
| Week 6, 1997 Feb 2–8 4 films · +18% | 4 | $190.4M | +18% | Dante's Peak (1997) $178.1M |
| Week 6, 1998 Feb 1–7 4 films · −78% | 4 | $42.7M | −78% | The Replacement Killers (1998) $19.2M |
| Week 6, 1999 Jan 31–Feb 6 2 films · +289% | 2 | $166M | +289% | Payback (1999) $161.6M |
| Week 6, 2000 Jan 30–Feb 5 2 films · −2% | 2 | $162M | −2% | Scream 3 (2000) $161.8M |
| Week 6, 2001 Feb 4–10 4 films · +133% | 4 | $377.8M | +133% | Hannibal (2001) $351.7M |
| Week 6, 2002 Feb 3–9 5 films · −58% | 5 | $157.7M | −58% | Collateral Damage (2002) $78.4M |
53 weeks of 2002 with reported grosses; the biggest is week 18 (Apr 28–May 4) with $840.9M, led by Spider-Man (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Collateral Damage (2002) leads with $78.4M worldwide, $40.1M of it in the US & Canada. Next come Big Fat Liar (2002) at $53M and Rollerball (2002) at $25.9M.
5 English-language films released in week 6 of 2002 (Feb 3–9) report a worldwide gross, $157.7M in all, or $31.5M per film on average. Week 5, 2002 releases took $24.2M.
None. The biggest, Collateral Damage (2002), earned $78.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2002 (Feb 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.