#1 of 6 2002 · Fantasy, Comedy
$172.9M worldwide · 88% of the chart's total
The Santa Clause 2 (2002) is the highest-grossing English-language movie released in week 44 of 2002 (Oct 27–Nov 2), with $172.9M worldwide, ahead of Santa vs. the Snowman (2002) at $22.8M and Tully (2002) at $704.8K. 6 English-language films released that week report a worldwide gross, $196.4M in all, 76% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 31% on Week 43, 2002, whose releases took $150M. By genre, Comedy leads with $172.9M across 4 English releases.
#1 of 6 2002 · Fantasy, Comedy
$172.9M worldwide · 88% of the chart's total
The Santa Clause 2 (2002) leads with $172.9M, 88% of the total. The top 5 together took $196.4M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 44 of 2002 (Oct 27–Nov 2).
Nov 1, 2002 US and Canada: $139.2M Rest of the world: $33.6M Worldwide: $172.9M
Nov 1, 2002 US and Canada: $10.3M Rest of the world: $12.5M Worldwide: $22.8M
Nov 1, 2002 US and Canada: $480.8K Rest of the world: $224K Worldwide: $704.8K
Nov 1, 2002 US and Canada: – Rest of the world: – Worldwide: $28.7K
Nov 1, 2002 US and Canada: $10.4K Rest of the world: Worldwide: $10.4K
Nov 1, 2002 US and Canada: $1.4K Rest of the world: Worldwide: $1.4K Of the top 6, Love in the Time of Money (2002) earned the biggest share at home (100% in the US & Canada), while Santa vs. the Snowman (2002) made 55% of its gross abroad. Across all 6 films, $150M (76%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 44 releases took $196.4M. The biggest of these 9 weeks is week 45 (Nov 3–9) with $400.4M, led by 8 Mile (2002).
Of these 10 years, Week 44, 2001 earned the most: $736.8M from 8 films, led by Monsters, Inc. (2001). Week 44, 2002 took $196.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 44, 1993 Oct 24–30 3 films | 3 | $7.9M | – | Fatal Instinct (1993) $7.8M |
| Week 44, 1994 Oct 23–29 5 films · +2556% | 5 | $209.7M | +2556% | Stargate (1994) $196.6M |
| Week 44, 1995 Oct 29–Nov 4 8 films · −79% | 8 | $44.3M | −79% | Home for the Holidays (1995) $17.5M |
| Week 44, 1996 Oct 27–Nov 2 6 films · −62% | 6 | $17M | −62% | Larger Than Life (1996) $8.3M |
| Week 44, 1997 Oct 26–Nov 1 4 films · +228% | 4 | $55.7M | +228% | An American Werewolf in Paris (1997) $26.6M |
| Week 44, 1998 Oct 25–31 4 films · −28% | 4 | $40.1M | −28% | American History X (1998) $23.9M |
| Week 44, 1999 Oct 24–30 12 films · +155% | 12 | $102.4M | +155% | House on Haunted Hill (1999) $42.6M |
| Week 44, 2000 Oct 22–28 11 films · −13% | 11 | $88.9M | −13% | Book of Shadows: Blair Witch 2 (2000) $47.7M |
| Week 44, 2001 Oct 28–Nov 3 8 films · +728% | 8 | $736.8M | +728% | Monsters, Inc. (2001) $579.8M |
| Week 44, 2002 Oct 27–Nov 2 6 films · −73% | 6 | $196.4M | −73% | The Santa Clause 2 (2002) $172.9M |
53 weeks of 2002 with reported grosses; the biggest is week 18 (Apr 28–May 4) with $840.9M, led by Spider-Man (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The Santa Clause 2 (2002) leads with $172.9M worldwide, $139.2M of it in the US & Canada. Next come Santa vs. the Snowman (2002) at $22.8M and Tully (2002) at $704.8K.
6 English-language films released in week 44 of 2002 (Oct 27–Nov 2) report a worldwide gross, $196.4M in all, or $32.7M per film on average. Week 43, 2002 releases took $150M.
None. 1 film crossed $100 million, led by The Santa Clause 2 (2002) with $172.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 44 of 2002 (Oct 27–Nov 2). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.