#1 of 4 2002 · Drama, Comedy
$43.3M worldwide · 97% of the chart's total
Orange County (2002) is the highest-grossing English-language movie released in week 2 of 2002 (Jan 6–12), with $43.3M worldwide, ahead of Personal Velocity (2002) at $890.5K and Australian Rules (2002) at $243.7K. 4 English-language films released that week report a worldwide gross, $44.6M in all, 94% of it from the US & Canada. That is up 56% on Week 1, 2002, whose releases took $28.6M.
#1 of 4 2002 · Drama, Comedy
$43.3M worldwide · 97% of the chart's total
Orange County (2002) leads with $43.3M, 97% of the total. The top 4 together took $44.6M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 2 of 2002 (Jan 6–12).
Jan 11, 2002 US and Canada: $41.1M Rest of the world: $2.2M Worldwide: $43.3M
Jan 12, 2002 US and Canada: $811.3K Rest of the world: $79.2K Worldwide: $890.5K
Jan 11, 2002 US and Canada: – Rest of the world: – Worldwide: $243.7K
Jan 11, 2002 US and Canada: $94.9K Rest of the world: $51.5K Worldwide: $146.4K Of the top 4, Orange County (2002) earned the biggest share at home (95% in the US & Canada), while Biggie & Tupac (2002) made 35% of its gross abroad. Across all 4 films, $42M (94%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 2 releases took $44.6M. The biggest of these 9 weeks is week 51, 2001 (Dec 16–22) with $1.5B, led by The Lord of the Rings: The Fellowship of the Ring (2001).
Of these 10 years, Week 2, 1995 earned the most: $271.2M from 6 films, led by Legends of the Fall (1995). Week 2, 2002 took $44.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 2, 1993 Jan 3–9 2 films | 2 | $8.9M | – | Leprechaun (1993) $8.6M |
| Week 2, 1994 Jan 2–8 2 films · +179% | 2 | $24.7M | +179% | The Air Up There (1994) $21M |
| Week 2, 1995 Jan 8–14 6 films · +999% | 6 | $271.2M | +999% | Legends of the Fall (1995) $160.6M |
| Week 2, 1996 Jan 7–13 5 films · −79% | 5 | $57.3M | −79% | Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996) $20.9M |
| Week 2, 1997 Jan 5–11 3 films · −21% | 3 | $45.5M | −21% | The Relic (1997) $34M |
| Week 2, 1998 Jan 4–10 2 films · −82% | 2 | $8.2M | −82% | Firestorm (1998) $8.2M |
| Week 2, 1999 Jan 3–9 1 film · +1098% | 1 | $98.1M | +1098% | The Thin Red Line (1999) $98.1M |
| Week 2, 2000 Jan 2–8 No films | 0 | – | – | – |
| Week 2, 2001 Jan 7–13 3 films | 3 | $150.7M | – | Save the Last Dance (2001) $131.7M |
| Week 2, 2002 Jan 6–12 4 films · −70% | 4 | $44.6M | −70% | Orange County (2002) $43.3M |
53 weeks of 2002 with reported grosses; the biggest is week 18 (Apr 28–May 4) with $840.9M, led by Spider-Man (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Orange County (2002) leads with $43.3M worldwide, $41.1M of it in the US & Canada. Next come Personal Velocity (2002) at $890.5K and Australian Rules (2002) at $243.7K.
4 English-language films released in week 2 of 2002 (Jan 6–12) report a worldwide gross, $44.6M in all, or $11.2M per film on average. Week 1, 2002 releases took $28.6M.
None. The biggest, Orange County (2002), earned $43.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 2 of 2002 (Jan 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.