#1 of 4 The Replacement Killers (1998)
1998 · Action, Drama
$19.2M worldwide · 45% of the chart's total
The Replacement Killers (1998) is the highest-grossing English-language movie released in week 6 of 1998 (Feb 1–7), with $19.2M worldwide, ahead of Blues Brothers 2000 (1998) at $14.1M and The Love Letter (1998) at $9.1M. 4 English-language films released that week report a worldwide gross, $42.7M in all, 98% of it from the US & Canada. That is down 48% on Week 5, 1998, whose releases took $82.6M.
#1 of 4 The Replacement Killers (1998)
1998 · Action, Drama
$19.2M worldwide · 45% of the chart's total
The Replacement Killers (1998) leads with $19.2M, 45% of the total. The top 4 together took $42.7M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 1998 (Feb 1–7).
Feb 6, 1998 US and Canada: $19.2M Rest of the world: Worldwide: $19.2M
Feb 5, 1998 US and Canada: $14.1M Rest of the world: Worldwide: $14.1M
Feb 1, 1998 US and Canada: $8.3M Rest of the world: $836.7K Worldwide: $9.1M
Feb 6, 1998 US and Canada: $266.1K Rest of the world: $18.3K Worldwide: $284.5K Of the top 4, The Replacement Killers (1998) earned the biggest share at home (100% in the US & Canada), while The Love Letter (1998) made 9% of its gross abroad. Across all 4 films, $41.8M (98%) came from the US & Canada.
Week 6 releases took $42.7M. The biggest of these 9 weeks is week 7 (Feb 8–14) with $160.3M, led by The Wedding Singer (1998).
Of these 10 years, Week 6, 1993 earned the most: $202.5M from 4 films, led by Sommersby (1993). Week 6, 1998 took $42.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 1989 Feb 5–11 2 films | 2 | $60.9M | – | The Fly II (1989) $38.9M |
| Week 6, 1990 Feb 4–10 5 films · −1% | 5 | $60.4M | −1% | Hard to Kill (1990) $47.4M |
| Week 6, 1991 Feb 3–9 2 films · −24% | 2 | $46.2M | −24% | L.A. Story (1991) $28.9M |
| Week 6, 1992 Feb 2–8 3 films · +76% | 3 | $81.4M | +76% | Medicine Man (1992) $45.5M |
| Week 6, 1993 Jan 31–Feb 6 4 films · +149% | 4 | $202.5M | +149% | Sommersby (1993) $140.1M |
| Week 6, 1994 Jan 30–Feb 5 3 films · −33% | 3 | $136M | −33% | Ace Ventura: Pet Detective (1994) $107.2M |
| Week 6, 1995 Feb 5–11 3 films · −61% | 3 | $53.5M | −61% | Billy Madison (1995) $26.5M |
| Week 6, 1996 Feb 4–10 2 films · +200% | 2 | $160.9M | +200% | Broken Arrow (1996) $150.3M |
| Week 6, 1997 Feb 2–8 4 films · +18% | 4 | $190.4M | +18% | Dante's Peak (1997) $178.1M |
| Week 6, 1998 Feb 1–7 4 films · −78% | 4 | $42.7M | −78% | The Replacement Killers (1998) $19.2M |
53 weeks of 1998 with reported grosses; the biggest is week 23 (May 31–Jun 6) with $697M, led by Mulan (1998).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
The Replacement Killers (1998) leads with $19.2M worldwide, $19.2M of it in the US & Canada. Next come Blues Brothers 2000 (1998) at $14.1M and The Love Letter (1998) at $9.1M.
4 English-language films released in week 6 of 1998 (Feb 1–7) report a worldwide gross, $42.7M in all, or $10.7M per film on average. Week 5, 1998 releases took $82.6M.
None. The biggest, The Replacement Killers (1998), earned $19.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 1998 (Feb 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.