#1 of 5 1998 · Action, Adventure
$164.8M worldwide · 85% of the chart's total
Six Days Seven Nights (1998) is the highest-grossing English-language movie released in week 24 of 1998 (Jun 7–13), with $164.8M worldwide, ahead of Can't Hardly Wait (1998) at $25.6M and High Art (1998) at $2M. 5 English-language films released that week report a worldwide gross, $193.8M in all, 53% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 72% on Week 23, 1998, whose releases took $697M. By genre, Romance leads with $193.7M across 4 English releases.
#1 of 5 1998 · Action, Adventure
$164.8M worldwide · 85% of the chart's total
Six Days Seven Nights (1998) leads with $164.8M, 85% of the total. The top 5 together took $193.8M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 1998 (Jun 7–13).
Jun 12, 1998 US and Canada: $74.3M Rest of the world: $90.5M Worldwide: $164.8M
Jun 12, 1998 US and Canada: $25.6M Rest of the world: Worldwide: $25.6M
Jun 12, 1998 US and Canada: $2M Rest of the world: Worldwide: $2M
Jun 12, 1998 US and Canada: $1.3M Rest of the world: Worldwide: $1.3M
Jun 12, 1998 US and Canada: $72.5K Rest of the world: Worldwide: $72.5K Of the top 5, Can't Hardly Wait (1998) earned the biggest share at home (100% in the US & Canada), while Six Days Seven Nights (1998) made 55% of its gross abroad. Across all 5 films, $103.3M (53%) came from the US & Canada.
Week 24 releases took $193.8M. The biggest of these 9 weeks is week 23 (May 31–Jun 6) with $697M, led by Mulan (1998).
Of these 10 years, Week 24, 1993 earned the most: $1.1B from 2 films, led by Jurassic Park (1993). Week 24, 1998 took $193.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 1989 Jun 11–17 2 films | 2 | $451.3M | – | Dead Poets Society (1989) $235.9M |
| Week 24, 1990 Jun 10–16 3 films · −55% | 3 | $205M | −55% | Dick Tracy (1990) $162.7M |
| Week 24, 1991 Jun 9–15 1 film · +90% | 1 | $390.5M | +90% | Robin Hood: Prince of Thieves (1991) $390.5M |
| Week 24, 1992 Jun 7–13 2 films · −76% | 2 | $95.1M | −76% | HouseSitter (1992) $94.9M |
| Week 24, 1993 Jun 6–12 2 films · +1067% | 2 | $1.1B | +1067% | Jurassic Park (1993) $1.1B |
| Week 24, 1994 Jun 5–11 3 films · −96% | 3 | $45.4M | −96% | City Slickers II: The Legend of Curly's Gold (1994) $43.6M |
| Week 24, 1995 Jun 11–17 1 film · +642% | 1 | $336.6M | +642% | Batman Forever (1995) $336.6M |
| Week 24, 1996 Jun 9–15 3 films · −67% | 3 | $111.2M | −67% | The Cable Guy (1996) $102.8M |
| Week 24, 1997 Jun 8–14 2 films · +48% | 2 | $164.7M | +48% | Speed 2: Cruise Control (1997) $164.5M |
| Week 24, 1998 Jun 7–13 5 films · +18% | 5 | $193.8M | +18% | Six Days Seven Nights (1998) $164.8M |
53 weeks of 1998 with reported grosses; the biggest is week 23 (May 31–Jun 6) with $697M, led by Mulan (1998).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Six Days Seven Nights (1998) leads with $164.8M worldwide, $74.3M of it in the US & Canada. Next come Can't Hardly Wait (1998) at $25.6M and High Art (1998) at $2M.
5 English-language films released in week 24 of 1998 (Jun 7–13) report a worldwide gross, $193.8M in all, or $38.8M per film on average. Week 23, 1998 releases took $697M.
None. 1 film crossed $100 million, led by Six Days Seven Nights (1998) with $164.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 1998 (Jun 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.