
Stiff Upper Lips is a parody of British period cinema, lampooning the Merchant‑Ivory films of the 1980s and early 1990s. It specifically spoofs titles such as A Room with a View, Chariots of Fire, Maurice and A Passage to India, while generally mocking Edwardian tropes of propriety, sexual repression, xenophobia and class snobbery.
Does Stiff Upper Lips have end credit scenes?
No!
Stiff Upper Lips does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Stiff Upper Lips, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Frank Finlay
Hudson Junior

Peter Ustinov
Horace Wiggins

Samuel West
Edward

Mac McDonald
American Husband

Sean Pertwee
George

Georgina Cates
Emily

Brian Glover
Eric

John Boswall
Don 2

Sindhu Tolani
Indian Girl

Geoffrey Palmer
His Butler's Voice

Prunella Scales
Aunt Agnes

Robert Portal
Cedric

Shri Vallabh Vyas
Defence Lawyer

Kevin Furlong
Hurdler

Richard Braine
Mr. Tweeb

Kate Harper
American Wife

Jon Croft
Station Master

Nicholas Selby
Don 1

David Ashton
Dr. Henry

Charles Simon
Hudson Senior

Anna Livia Ryan
Rosie

David Artus
Hurdler

Rajendra Varman
Sitar Player

Miss Swati
Tea Server

Baron Baretto
Indian Boy
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Challenge your knowledge of Stiff Upper Lips with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the wealthy young woman who is the film's protagonist?
Emily Ivory
Agnes Ivory
Mary Whitfield
Clara Hastings
Show hint
Read the complete plot summary of Stiff Upper Lips, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In England, 1908, the story follows Emily Ivory, a wealthy young woman played by Georgina Cates, who resides with her Aunt Agnes at the grand estate known as Ivory’s End. At the age of 22, she is often reminded by her aunt that she is approaching spinsterhood, setting the stage for a tale of love, societal expectations, and personal discovery. The film begins with Emily meeting her brother’s closest friend, Cedric Trilling (played by Robert Portal), when they return from university. Aunt Agnes has her heart set on seeing these two fall in love, but Cedric, a pompous and overly quotable character who frequently quotes Homer, proves to be a poor match. He is also portrayed as a repressed homosexual, which further complicates his romantic prospects.
Despite her aunt’s efforts to engineer a romantic connection, Emily’s gaze soon shifts toward the family’s new manservant, George (played by Sean Pertwee). George is introduced as a robust peasant with a rugged charm, notably having previously risked his life to save Emily by pulling her out of a pond while she was drowning. His demeanor is striking—the way he rushes into rooms by sliding to a stop with an intense expression and tossing his cap aside quickly becomes a memorable trait. Emily finds herself captivated by George’s commanding presence and physicality, dreams of true love, and eventually discovers that her feelings for him deepen beyond mere admiration.
Their relationship leads to carnal fulfillment, love, and eventually, marriage and motherhood. However, their union scandalizes the upper classes, who disapprove of Emily marrying outside her social rank. The most outraged of all is George’s father, who frequently reminds his son that he is “the scum of the earth.” When Emily becomes pregnant, she suggests giving the child to George’s family; however, George, deeply conflicted, pleads with her to consider alternative drastic measures, even jokingly suggesting selling the baby to pirates or abandoning it in the wilderness.
Meanwhile, Cedric finds his own love story with Edward (played by Samuel West), Emily’s cheerful and handsome brother. Given the era’s social constraints, their love remains clandestine, yet there is a moment during Emily’s wedding that bursts with emotion. As the ceremony unfolds, Edward boldly takes Cedric’s arm and declares loudly for all to hear, “WE LOVE EACH OTHER!,” marking a poignant moment of defiance and truth.
Aunt Agnes also finds happiness in her own way, meeting a charming expatriate Englishman who owns a tea plantation in India, played by Peter Ustinov. Throughout the film, themes of love crossing class boundaries, defying societal norms, and embracing personal happiness are woven into the narrative. Despite the many taboos related to class, age, and morality, by the film’s end, it appears that everyone is poised to enjoy a life filled with fulfillment—both emotionally and sexually.
Overall, the story offers a captivating glimpse into early 20th-century England, exploring the life-changing power of love across social divides, and highlighting how personal happiness can triumph over conventional expectations.
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