#1 of 7 1998 · Sport, Comedy
$186M worldwide · 46% of the chart's total
The Waterboy (1998) is the highest-grossing English-language movie released in week 45 of 1998 (Nov 1–7), with $186M worldwide, ahead of The Siege (1998) at $116.7M and Elizabeth (1998) at $82.2M. 7 English-language films released that week report a worldwide gross, $402M in all, 62% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is 10 times the total of Week 44, 1998, whose releases took $40.1M. By genre, Drama leads with $216M across 6 English releases.
#1 of 7 1998 · Sport, Comedy
$186M worldwide · 46% of the chart's total
The Waterboy (1998) leads with $186M, 46% of the total. The top 5 together took $400.9M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 45 of 1998 (Nov 1–7).
Nov 6, 1998 US and Canada: $161.5M Rest of the world: $24.5M Worldwide: $186M
Nov 6, 1998 US and Canada: $41M Rest of the world: $75.7M Worldwide: $116.7M
Nov 6, 1998 US and Canada: $30.1M Rest of the world: $52.1M Worldwide: $82.2M
Nov 4, 1998 US and Canada: $9.6M Rest of the world: Worldwide: $9.6M
Nov 4, 1998 US and Canada: $6.5M Rest of the world: Worldwide: $6.5M
Nov 6, 1998 US and Canada: $1.1M Rest of the world: $503 Worldwide: $1.1M
Nov 1, 1998 US and Canada: $4.3K Rest of the world: Worldwide: $4.3K Of the top 7, Belly (1998) earned the biggest share at home (100% in the US & Canada), while The Siege (1998) made 65% of its gross abroad. Across all 7 films, $249.7M (62%) came from the US & Canada.
Week 45 releases took $402M. The biggest of these 9 weeks is week 47 (Nov 15–21) with $452.1M, led by Enemy of the State (1998).
Of these 10 years, Week 45, 1990 earned the most: $463.4M from 7 films, led by Dances with Wolves (1990). Week 45, 1998 took $402M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 45, 1989 Nov 5–11 6 films | 6 | $59.5M | – | Dad (1989) $27.5M |
| Week 45, 1990 Nov 4–10 7 films · +678% | 7 | $463.4M | +678% | Dances with Wolves (1990) $424.2M |
| Week 45, 1991 Nov 3–9 2 films · −95% | 2 | $22.5M | −95% | All I Want For Christmas (1991) $14.8M |
| Week 45, 1992 Nov 1–7 4 films · +147% | 4 | $55.6M | +147% | Passenger 57 (1992) $44.1M |
| Week 45, 1993 Oct 31–Nov 6 11 films · +80% | 11 | $99.9M | +80% | The Piano (1993) $40.2M |
| Week 45, 1994 Oct 30–Nov 5 4 films · −81% | 4 | $19.5M | −81% | The War (1994) $16.9M |
| Week 45, 1995 Nov 5–11 2 films · +992% | 2 | $212.4M | +992% | Ace Ventura: When Nature Calls (1995) $212.4M |
| Week 45, 1996 Nov 3–9 7 films · +66% | 7 | $351.6M | +66% | Ransom (1996) $309.5M |
| Week 45, 1997 Nov 2–8 6 films · +17% | 6 | $411.5M | +17% | Bean (1997) $251.2M |
| Week 45, 1998 Nov 1–7 7 films · −2% | 7 | $402M | −2% | The Waterboy (1998) $186M |
53 weeks of 1998 with reported grosses; the biggest is week 23 (May 31–Jun 6) with $697M, led by Mulan (1998).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Waterboy (1998) leads with $186M worldwide, $161.5M of it in the US & Canada. Next come The Siege (1998) at $116.7M and Elizabeth (1998) at $82.2M.
7 English-language films released in week 45 of 1998 (Nov 1–7) report a worldwide gross, $402M in all, or $57.4M per film on average. Week 44, 1998 releases took $40.1M.
None. 2 films crossed $100 million, led by The Waterboy (1998) with $186M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 45 of 1998 (Nov 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.