#1 of 5 1998 · Drama, Comedy
$29.2M worldwide · 61% of the chart's total
Bulworth (1998) is the highest-grossing English-language movie released in week 21 of 1998 (May 17–23), with $29.2M worldwide, ahead of Fear and Loathing in Las Vegas (1998) at $10.7M and The Opposite of Sex (1998) at $5.9M. 5 English-language films released that week report a worldwide gross, $48M in all, 94% of it from the US & Canada. That is down 77% on Week 20, 1998, whose releases took $211.1M. By genre, Drama leads with $45.8M across 4 English releases.
#1 of 5 1998 · Drama, Comedy
$29.2M worldwide · 61% of the chart's total
Bulworth (1998) leads with $29.2M, 61% of the total. The top 5 together took $48M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 21 of 1998 (May 17–23).
May 19, 1998 US and Canada: $26.5M Rest of the world: $2.7M Worldwide: $29.2M
May 22, 1998 US and Canada: $10.7M Rest of the world: Worldwide: $10.7M
May 22, 1998 US and Canada: $5.9M Rest of the world: Worldwide: $5.9M
May 18, 1998 US and Canada: $2.2M Rest of the world: Worldwide: $2.2M
May 20, 1998 US and Canada: $9.5K Rest of the world: Worldwide: $9.5K Of the top 5, Fear and Loathing in Las Vegas (1998) earned the biggest share at home (100% in the US & Canada), while Bulworth (1998) made 9% of its gross abroad. Across all 5 films, $45.3M (94%) came from the US & Canada.
Week 21 releases took $48M. The biggest of these 9 weeks is week 23 (May 31–Jun 6) with $697M, led by Mulan (1998).
Of these 10 years, Week 21, 1997 earned the most: $621.2M from 2 films, led by The Lost World: Jurassic Park (1997). Week 21, 1998 took $48M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 21, 1989 May 21–27 2 films | 2 | $486.3M | – | Indiana Jones and the Last Crusade (1989) $474.2M |
| Week 21, 1990 May 20–26 1 film · −50% | 1 | $245.1M | −50% | Back to the Future Part III (1990) $245.1M |
| Week 21, 1991 May 19–25 8 films · +17% | 8 | $287.3M | +17% | Backdraft (1991) $152.4M |
| Week 21, 1992 May 17–23 3 films · −30% | 3 | $201.5M | −30% | Alien 3 (1992) $159.8M |
| Week 21, 1993 May 16–22 5 films · +27% | 5 | $255.8M | +27% | Hot Shots! Part Deux (1993) $133.8M |
| Week 21, 1994 May 15–21 No films | 0 | – | – | – |
| Week 21, 1995 May 21–27 6 films | 6 | $544.9M | – | Casper (1995) $288.1M |
| Week 21, 1996 May 19–25 3 films · −11% | 3 | $485.3M | −11% | Mission: Impossible (1996) $457.7M |
| Week 21, 1997 May 18–24 2 films · +28% | 2 | $621.2M | +28% | The Lost World: Jurassic Park (1997) $618.6M |
| Week 21, 1998 May 17–23 5 films · −92% | 5 | $48M | −92% | Bulworth (1998) $29.2M |
53 weeks of 1998 with reported grosses; the biggest is week 23 (May 31–Jun 6) with $697M, led by Mulan (1998).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Bulworth (1998) leads with $29.2M worldwide, $26.5M of it in the US & Canada. Next come Fear and Loathing in Las Vegas (1998) at $10.7M and The Opposite of Sex (1998) at $5.9M.
5 English-language films released in week 21 of 1998 (May 17–23) report a worldwide gross, $48M in all, or $9.6M per film on average. Week 20, 1998 releases took $211.1M.
None. The biggest, Bulworth (1998), earned $29.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 21 of 1998 (May 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.