#1 of 5 2004 · Drama, Comedy
$61.3M worldwide · 68% of the chart's total
In Good Company (2004) is the highest-grossing English-language movie released in week 53 of 2004 (Dec 26–31), with $61.3M worldwide, ahead of The Merchant of Venice (2004) at $21.6M and The Assassination of Richard Nixon (2004) at $4.4M. 5 English-language films released that week report a worldwide gross, $89.9M in all, 56% of it from the US & Canada. That is down 85% on Week 52, 2004, whose releases took $610.8M. By genre, Drama leads with $89.3M across 4 English releases.
#1 of 5 2004 · Drama, Comedy
$61.3M worldwide · 68% of the chart's total
In Good Company (2004) leads with $61.3M, 68% of the total. The top 5 together took $89.9M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 53 of 2004 (Dec 26–31).
Dec 29, 2004 US and Canada: $45.8M Rest of the world: $15.5M Worldwide: $61.3M
Dec 29, 2004 US and Canada: $3.8M Rest of the world: $17.8M Worldwide: $21.6M
Dec 29, 2004 US and Canada: $708.8K Rest of the world: $3.7M Worldwide: $4.4M
Dec 29, 2004 US and Canada: $164.3K Rest of the world: $1.9M Worldwide: $2M
Dec 28, 2004 US and Canada: – Rest of the world: – Worldwide: $521.9K Of the top 5, In Good Company (2004) earned the biggest share at home (75% in the US & Canada), while A Love Song for Bobby Long (2004) made 92% of its gross abroad. Across all 5 films, $50.4M (56%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 53 releases took $89.9M. The biggest of these 9 weeks is week 52 (Dec 19–25) with $610.8M, led by Meet the Fockers (2004).
Of these 10 years, Week 53, 2000 earned the most: $97M from 6 films, led by Thirteen Days (2000). Week 53, 2004 took $89.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 53, 1995 Dec 31 1 film | 1 | $20.8K | – | Small Wonders (1995) $20.8K |
| Week 53, 1996 Dec 29–31 No films | 0 | – | – | – |
| Week 53, 1997 Dec 28–31 2 films | 2 | $18.4M | – | The Boxer (1997) $16.5M |
| Week 53, 1998 Dec 27–31 4 films · −32% | 4 | $12.4M | −32% | Affliction (1998) $6.3M |
| Week 53, 1999 Dec 26–31 3 films · +503% | 3 | $75.1M | +503% | The Hurricane (1999) $74M |
| Week 53, 2000 Dec 24–30 6 films · +29% | 6 | $97M | +29% | Thirteen Days (2000) $66.6M |
| Week 53, 2001 Dec 30–31 No films | 0 | – | – | – |
| Week 53, 2002 Dec 29–31 2 films | 2 | $33.2M | – | Confessions of a Dangerous Mind (2002) $33M |
| Week 53, 2003 Dec 28–31 2 films · −87% | 2 | $4.4M | −87% | Japanese Story (2003) $4.1M |
| Week 53, 2004 Dec 26–31 5 films · +1964% | 5 | $89.9M | +1964% | In Good Company (2004) $61.3M |
53 weeks of 2004 with reported grosses; the biggest is week 21 (May 16–22) with $935.5M, led by Shrek 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
In Good Company (2004) leads with $61.3M worldwide, $45.8M of it in the US & Canada. Next come The Merchant of Venice (2004) at $21.6M and The Assassination of Richard Nixon (2004) at $4.4M.
5 English-language films released in week 53 of 2004 (Dec 26–31) report a worldwide gross, $89.9M in all, or $18M per film on average. Week 52, 2004 releases took $610.8M.
None. The biggest, In Good Company (2004), earned $61.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 53 of 2004 (Dec 26–31). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.