#1 of 8 2004 · Action, Drama
$130.8M worldwide · 56% of the chart's total
Man on Fire (2004) is the highest-grossing English-language movie released in week 17 of 2004 (Apr 18–24), with $130.8M worldwide, ahead of 13 Going on 30 (2004) at $96.5M and Strange Bedfellows (2004) at $3.5M. 8 English-language films released that week report a worldwide gross, $232.4M in all, 59% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 38% on Week 16, 2004, whose releases took $168.1M. By genre, Thriller leads with $130.9M across 2 English releases.
#1 of 8 2004 · Action, Drama
$130.8M worldwide · 56% of the chart's total
Man on Fire (2004) leads with $130.8M, 56% of the total. The top 5 together took $232.1M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2004 (Apr 18–24).
Apr 23, 2004 US and Canada: $77.9M Rest of the world: $52.9M Worldwide: $130.8M
Apr 23, 2004 US and Canada: $57.2M Rest of the world: $39.2M Worldwide: $96.5M
Apr 22, 2004 US and Canada: – Rest of the world: – Worldwide: $3.5M
Apr 22, 2004 US and Canada: $1.1M Rest of the world: Worldwide: $1.1M
Apr 23, 2004 US and Canada: $226.2K Rest of the world: Worldwide: $226.2K
Apr 20, 2004 US and Canada: – Rest of the world: – Worldwide: $17.1K
Apr 23, 2004 US and Canada: $16.3K Rest of the world: Worldwide: $16.3K Of the top 8, Sacred Planet (2004) earned the biggest share at home (100% in the US & Canada), while 13 Going on 30 (2004) made 41% of its gross abroad. Across all 8 films, $136.7M (59%) came from the US & Canada. 2 films of the top 8 report no US & Canada figure.
Week 17 releases took $232.4M. The biggest of these 9 weeks is week 19 (May 2–8) with $342.3M, led by Van Helsing (2004).
Of these 10 years, Week 17, 2004 earned the most: $232.4M from 8 films, led by Man on Fire (2004).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 1995 Apr 23–29 6 films | 6 | $19.6M | – | Village of the Damned (1995) $9.4M |
| Week 17, 1996 Apr 21–27 4 films · +189% | 4 | $56.6M | +189% | The Truth About Cats & Dogs (1996) $34.9M |
| Week 17, 1997 Apr 20–26 6 films · +171% | 6 | $153.4M | +171% | Volcano (1997) $122.8M |
| Week 17, 1998 Apr 19–25 4 films · −89% | 4 | $16.2M | −89% | Sliding Doors (1998) $11.8M |
| Week 17, 1999 Apr 18–24 4 films · +35% | 4 | $21.9M | +35% | Island of the Sharks (1999) $10.7M |
| Week 17, 2000 Apr 16–22 6 films · +716% | 6 | $178.9M | +716% | U-571 (2000) $127.7M |
| Week 17, 2001 Apr 22–28 5 films · −48% | 5 | $93.2M | −48% | Driven (2001) $54.7M |
| Week 17, 2002 Apr 21–27 11 films · −57% | 11 | $40.1M | −57% | Jason X (2002) $17.1M |
| Week 17, 2003 Apr 20–26 9 films · +233% | 9 | $133.6M | +233% | Identity (2003) $90.3M |
| Week 17, 2004 Apr 18–24 8 films · +74% | 8 | $232.4M | +74% | Man on Fire (2004) $130.8M |
Thriller took $130.9M across 2 films, 56% of the total, ahead of Action ($130.8M) and Crime ($130.8M). A film counts once for each of its genres.
53 weeks of 2004 with reported grosses; the biggest is week 21 (May 16–22) with $935.5M, led by Shrek 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Man on Fire (2004) leads with $130.8M worldwide, $77.9M of it in the US & Canada. Next come 13 Going on 30 (2004) at $96.5M and Strange Bedfellows (2004) at $3.5M.
8 English-language films released in week 17 of 2004 (Apr 18–24) report a worldwide gross, $232.4M in all, or $29M per film on average. Week 16, 2004 releases took $168.1M.
None. 1 film crossed $100 million, led by Man on Fire (2004) with $130.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2004 (Apr 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.