#1 of 6 2004 · Mystery, Thriller
$92.9M worldwide · 71% of the chart's total
Secret Window (2004) is the highest-grossing English-language movie released in week 11 of 2004 (Mar 7–13), with $92.9M worldwide, ahead of Agent Cody Banks 2: Destination London (2004) at $28.8M and Spartan (2004) at $8.1M. 6 English-language films released that week report a worldwide gross, $130.8M in all, 58% of it from the US & Canada. That is down 24% on Week 10, 2004, whose releases took $171.8M. By genre, Mystery leads with $101M across 2 English releases.
#1 of 6 2004 · Mystery, Thriller
$92.9M worldwide · 71% of the chart's total
Secret Window (2004) leads with $92.9M, 71% of the total. The top 5 together took $130.8M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2004 (Mar 7–13).
Mar 12, 2004 US and Canada: $48M Rest of the world: $44.9M Worldwide: $92.9M
Mar 12, 2004 US and Canada: $23.6M Rest of the world: $5.2M Worldwide: $28.8M
Mar 12, 2004 US and Canada: $4.4M Rest of the world: $3.7M Worldwide: $8.1M
Mar 12, 2004 US and Canada: – Rest of the world: – Worldwide: $804.1K
Mar 12, 2004 US and Canada: $113.6K Rest of the world: Worldwide: $113.6K
Mar 12, 2004 US and Canada: $25.3K Rest of the world: Worldwide: $25.3K Of the top 6, Games People Play: New York (2004) earned the biggest share at home (100% in the US & Canada), while Secret Window (2004) made 48% of its gross abroad. Across all 6 films, $76.2M (58%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 11 releases took $130.8M. The biggest of these 9 weeks is week 13 (Mar 21–27) with $322.9M, led by Scooby Doo 2: Monsters Unleashed (2004).
Of these 10 years, Week 11, 2002 earned the most: $461.7M from 3 films, led by Ice Age (2002). Week 11, 2004 took $130.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 1995 Mar 12–18 4 films | 4 | $57M | – | Circle of Friends (1995) $23.4M |
| Week 11, 1996 Mar 10–16 2 films · +122% | 2 | $126.4M | +122% | Executive Decision (1996) $122M |
| Week 11, 1997 Mar 9–15 4 films · −89% | 4 | $14.4M | −89% | Love Jones (1997) $12.8M |
| Week 11, 1998 Mar 8–14 3 films · +1173% | 3 | $183.2M | +1173% | The Man in the Iron Mask (1998) $183M |
| Week 11, 1999 Mar 7–13 5 films · −35% | 5 | $118.4M | −35% | Baby Geniuses (1999) $36.5M |
| Week 11, 2000 Mar 5–11 4 films · +43% | 4 | $169.8M | +43% | Mission to Mars (2000) $111M |
| Week 11, 2001 Mar 11–17 7 films · +44% | 7 | $245.1M | +44% | Enemy at the Gates (2001) $97M |
| Week 11, 2002 Mar 10–16 3 films · +88% | 3 | $461.7M | +88% | Ice Age (2002) $383.3M |
| Week 11, 2003 Mar 9–15 9 films · −59% | 9 | $190.8M | −59% | Bend It Like Beckham (2003) $76.6M |
| Week 11, 2004 Mar 7–13 6 films · −31% | 6 | $130.8M | −31% | Secret Window (2004) $92.9M |
53 weeks of 2004 with reported grosses; the biggest is week 21 (May 16–22) with $935.5M, led by Shrek 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Secret Window (2004) leads with $92.9M worldwide, $48M of it in the US & Canada. Next come Agent Cody Banks 2: Destination London (2004) at $28.8M and Spartan (2004) at $8.1M.
6 English-language films released in week 11 of 2004 (Mar 7–13) report a worldwide gross, $130.8M in all, or $21.8M per film on average. Week 10, 2004 releases took $171.8M.
None. The biggest, Secret Window (2004), earned $92.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2004 (Mar 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.