#1 of 4 2004 · Action, Comedy
$170.3M worldwide · 99% of the chart's total
Starsky & Hutch (2004) is the highest-grossing English-language movie released in week 10 of 2004 (Feb 29–Mar 6), with $170.3M worldwide, ahead of The Reckoning (2004) at $1.2M and James' Journey to Jerusalem (2004) at $259K. 4 English-language films released that week report a worldwide gross, $171.8M in all, 52% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 124% on Week 9, 2004, whose releases took $76.6M.
#1 of 4 2004 · Action, Comedy
$170.3M worldwide · 99% of the chart's total
Starsky & Hutch (2004) leads with $170.3M, 99% of the total. The top 4 together took $171.8M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 10 of 2004 (Feb 29–Mar 6).
Mar 5, 2004 US and Canada: $88.2M Rest of the world: $82M Worldwide: $170.3M
Mar 5, 2004 US and Canada: $257.3K Rest of the world: $895.3K Worldwide: $1.2M
Mar 5, 2004 US and Canada: $65K Rest of the world: $194.1K Worldwide: $259K
Mar 5, 2004 US and Canada: – Rest of the world: – Worldwide: $120.3K Of the top 4, Starsky & Hutch (2004) earned the biggest share at home (52% in the US & Canada), while The Reckoning (2004) made 78% of its gross abroad. Across all 4 films, $88.6M (52%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 10 releases took $171.8M. The biggest of these 9 weeks is week 12 (Mar 14–20) with $241.4M, led by Dawn of the Dead (2004).
Of these 10 years, Week 10, 1996 earned the most: $290.4M from 6 films, led by The Birdcage (1996). Week 10, 2004 took $171.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 10, 1995 Mar 5–11 2 films | 2 | $205.4M | – | Outbreak (1995) $189.9M |
| Week 10, 1996 Mar 3–9 6 films · +41% | 6 | $290.4M | +41% | The Birdcage (1996) $185.3M |
| Week 10, 1997 Mar 2–8 7 films · −64% | 7 | $105.4M | −64% | Jungle 2 Jungle (1997) $59.9M |
| Week 10, 1998 Mar 1–7 3 films · +12% | 3 | $118.6M | +12% | U.S. Marshals (1998) $102.4M |
| Week 10, 1999 Feb 28–Mar 6 6 films · +121% | 6 | $261.8M | +121% | Analyze This (1999) $176.9M |
| Week 10, 2000 Feb 27–Mar 4 6 films · −72% | 6 | $73.7M | −72% | The Next Best Thing (2000) $24.4M |
| Week 10, 2001 Mar 4–10 4 films · +6% | 4 | $78.2M | +6% | 15 Minutes (2001) $56.4M |
| Week 10, 2002 Mar 3–9 3 films · +92% | 3 | $150.3M | +92% | The Time Machine (2002) $123.7M |
| Week 10, 2003 Mar 2–8 3 films · +13% | 3 | $169.6M | +13% | Bringing Down the House (2003) $164.7M |
| Week 10, 2004 Feb 29–Mar 6 4 films · +1% | 4 | $171.8M | +1% | Starsky & Hutch (2004) $170.3M |
53 weeks of 2004 with reported grosses; the biggest is week 21 (May 16–22) with $935.5M, led by Shrek 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Starsky & Hutch (2004) leads with $170.3M worldwide, $88.2M of it in the US & Canada. Next come The Reckoning (2004) at $1.2M and James' Journey to Jerusalem (2004) at $259K.
4 English-language films released in week 10 of 2004 (Feb 29–Mar 6) report a worldwide gross, $171.8M in all, or $43M per film on average. Week 9, 2004 releases took $76.6M.
None. 1 film crossed $100 million, led by Starsky & Hutch (2004) with $170.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 10 of 2004 (Feb 29–Mar 6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.