#1 of 6 Resident Evil: Apocalypse (2004)
2004 · Action, Sci-Fi
$129.3M worldwide · 69% of the chart's total
Resident Evil: Apocalypse (2004) is the highest-grossing English-language movie released in week 37 of 2004 (Sep 5–11), with $129.3M worldwide, ahead of Cellular (2004) at $57.7M and Testosterone (2004) at $248.1K. 6 English-language films released that week report a worldwide gross, $187.5M in all, 45% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 166% on Week 36, 2004, whose releases took $70.5M. By genre, Thriller leads with $187.2M across 4 English releases.
#1 of 6 Resident Evil: Apocalypse (2004)
2004 · Action, Sci-Fi
$129.3M worldwide · 69% of the chart's total
Resident Evil: Apocalypse (2004) leads with $129.3M, 69% of the total. The top 5 together took $187.5M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2004 (Sep 5–11).
Sep 10, 2004 US and Canada: $51.2M Rest of the world: $78.1M Worldwide: $129.3M
Sep 10, 2004 US and Canada: $32M Rest of the world: $25.7M Worldwide: $57.7M
Sep 10, 2004 US and Canada: $185.1K Rest of the world: $63.1K Worldwide: $248.1K
Sep 10, 2004 US and Canada: $159.4K Rest of the world: Worldwide: $159.4K
Sep 10, 2004 US and Canada: – Rest of the world: – Worldwide: $41.2K
Sep 8, 2004 US and Canada: $15.6K Rest of the world: Worldwide: $15.6K Of the top 6, When Will I Be Loved (2004) earned the biggest share at home (100% in the US & Canada), while Resident Evil: Apocalypse (2004) made 60% of its gross abroad. Across all 6 films, $83.6M (45%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 37 releases took $187.5M. The biggest of these 9 weeks is week 31 (Jul 25–31) with $445.2M, led by The Village (2004).
Of these 10 years, Week 37, 2003 earned the most: $324.3M from 12 films, led by Lost in Translation (2003). Week 37, 2004 took $187.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 1995 Sep 10–16 13 films | 13 | $45.3M | – | Clockers (1995) $13.1M |
| Week 37, 1996 Sep 8–14 14 films · +28% | 14 | $57.8M | +28% | Fly Away Home (1996) $25.1M |
| Week 37, 1997 Sep 7–13 5 films · +94% | 5 | $112.2M | +94% | The Game (1997) $109.4M |
| Week 37, 1998 Sep 6–12 6 films · −61% | 6 | $43.9M | −61% | Rounders (1998) $22.9M |
| Week 37, 1999 Sep 5–11 7 films · −92% | 7 | $3.5M | −92% | Love Stinks (1999) $2.9M |
| Week 37, 2000 Sep 3–9 5 films · +2496% | 5 | $91.1M | +2496% | The Watcher (2000) $47.3M |
| Week 37, 2001 Sep 9–15 6 films · −18% | 6 | $74.6M | −18% | Hard Ball (2001) $44.1M |
| Week 37, 2002 Sep 8–14 10 films · +34% | 10 | $100.3M | +34% | Barbershop (2002) $77.1M |
| Week 37, 2003 Sep 7–13 12 films · +223% | 12 | $324.3M | +223% | Lost in Translation (2003) $118.7M |
| Week 37, 2004 Sep 5–11 6 films · −42% | 6 | $187.5M | −42% | Resident Evil: Apocalypse (2004) $129.3M |
53 weeks of 2004 with reported grosses; the biggest is week 21 (May 16–22) with $935.5M, led by Shrek 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Resident Evil: Apocalypse (2004) leads with $129.3M worldwide, $51.2M of it in the US & Canada. Next come Cellular (2004) at $57.7M and Testosterone (2004) at $248.1K.
6 English-language films released in week 37 of 2004 (Sep 5–11) report a worldwide gross, $187.5M in all, or $31.2M per film on average. Week 36, 2004 releases took $70.5M.
None. 1 film crossed $100 million, led by Resident Evil: Apocalypse (2004) with $129.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2004 (Sep 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.