#1 of 7 1999 · Comedy
$2.9M worldwide · 83% of the chart's total
Love Stinks (1999) is the highest-grossing English-language movie released in week 37 of 1999 (Sep 5–11), with $2.9M worldwide, ahead of The Minus Man (1999) at $370.7K and Cold Harvest (1999) at $110.8K. 7 English-language films released that week report a worldwide gross, $3.5M in all, 96% of it from the US & Canada. That is down 82% on Week 36, 1999, whose releases took $20M. By genre, Comedy leads with $2.9M across 1 English release.
#1 of 7 1999 · Comedy
$2.9M worldwide · 83% of the chart's total
Love Stinks (1999) leads with $2.9M, 83% of the total. The top 5 together took $3.5M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 1999 (Sep 5–11).
Sep 10, 1999 US and Canada: $2.9M Rest of the world: Worldwide: $2.9M
Sep 10, 1999 US and Canada: $370.7K Rest of the world: Worldwide: $370.7K
Sep 11, 1999 US and Canada: – Rest of the world: – Worldwide: $110.8K
Sep 10, 1999 US and Canada: $39.4K Rest of the world: $11.5K Worldwide: $50.8K
Sep 10, 1999 US and Canada: $27.8K Rest of the world: Worldwide: $27.8K
Sep 5, 1999 US and Canada: $12.6K Rest of the world: Worldwide: $12.6K
Sep 10, 1999 US and Canada: – Rest of the world: – Worldwide: $11.6K Of the top 7, Love Stinks (1999) earned the biggest share at home (100% in the US & Canada), while B. Monkey (1999) made 23% of its gross abroad. Across all 7 films, $3.4M (96%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 37 releases took $3.5M. The biggest of these 9 weeks is week 32 (Aug 1–7) with $870.1M, led by The Sixth Sense (1999).
Of these 10 years, Week 37, 1997 earned the most: $112.2M from 5 films, led by The Game (1997). Week 37, 1999 took $3.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 1990 Sep 9–15 12 films | 12 | $71.8M | – | Postcards from the Edge (1990) $39.1M |
| Week 37, 1991 Sep 8–14 12 films · +11% | 12 | $79.5M | +11% | Freddy's Dead: The Final Nightmare (1991) $34.9M |
| Week 37, 1992 Sep 6–12 5 films · −75% | 5 | $20.2M | −75% | Hellraiser III: Hell on Earth (1992) $12.5M |
| Week 37, 1993 Sep 5–11 9 films · +177% | 9 | $56.1M | +177% | The Joy Luck Club (1993) $32.9M |
| Week 37, 1994 Sep 4–10 7 films · −30% | 7 | $39.4M | −30% | The Next Karate Kid (1994) $15.9M |
| Week 37, 1995 Sep 10–16 13 films · +15% | 13 | $45.3M | +15% | Clockers (1995) $13.1M |
| Week 37, 1996 Sep 8–14 14 films · +28% | 14 | $57.8M | +28% | Fly Away Home (1996) $25.1M |
| Week 37, 1997 Sep 7–13 5 films · +94% | 5 | $112.2M | +94% | The Game (1997) $109.4M |
| Week 37, 1998 Sep 6–12 6 films · −61% | 6 | $43.9M | −61% | Rounders (1998) $22.9M |
| Week 37, 1999 Sep 5–11 7 films · −92% | 7 | $3.5M | −92% | Love Stinks (1999) $2.9M |
53 weeks of 1999 with reported grosses; the biggest is week 21 (May 16–22) with $1B, led by Star Wars: Episode I - The Phantom Menace (1999).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Love Stinks (1999) leads with $2.9M worldwide, $2.9M of it in the US & Canada. Next come The Minus Man (1999) at $370.7K and Cold Harvest (1999) at $110.8K.
7 English-language films released in week 37 of 1999 (Sep 5–11) report a worldwide gross, $3.5M in all, or $501.3K per film on average. Week 36, 1999 releases took $20M.
None. The biggest, Love Stinks (1999), earned $2.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 1999 (Sep 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.