#1 of 5 Hellraiser III: Hell on Earth (1992)
1992 · Horror
$12.5M worldwide · 62% of the chart's total
Hellraiser III: Hell on Earth (1992) is the highest-grossing English-language movie released in week 37 of 1992 (Sep 6–12), with $12.5M worldwide, ahead of Wind (1992) at $5.5M and Brother's Keeper (1992) at $1.3M. 5 English-language films released that week report a worldwide gross, $20.2M in all, 100% of it from the US & Canada. That is up 144% on Week 36, 1992, whose releases took $8.3M. By genre, Horror leads with $12.5M across 1 English release.
#1 of 5 Hellraiser III: Hell on Earth (1992)
1992 · Horror
$12.5M worldwide · 62% of the chart's total
Hellraiser III: Hell on Earth (1992) leads with $12.5M, 62% of the total. The top 5 together took $20.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 1992 (Sep 6–12).
Sep 11, 1992 US and Canada: $12.5M Rest of the world: Worldwide: $12.5M
Sep 11, 1992 US and Canada: $5.5M Rest of the world: Worldwide: $5.5M
Sep 9, 1992 US and Canada: $1.3M Rest of the world: Worldwide: $1.3M
Sep 11, 1992 US and Canada: $479.7K Rest of the world: Worldwide: $479.7K
Sep 11, 1992 US and Canada: $390.2K Rest of the world: Worldwide: $390.2K Of the top 5, Hellraiser III: Hell on Earth (1992) earned the biggest share at home (100% in the US & Canada), while Where the Day Takes You (1992) made 0% of its gross abroad. Across all 5 films, $20.2M (100%) came from the US & Canada.
Week 37 releases took $20.2M. The biggest of these 9 weeks is week 31 (Jul 26–Aug 1) with $179.3M, led by Death Becomes Her (1992).
Of these 10 years, Week 37, 1989 earned the most: $115.4M from 3 films, led by Sea of Love (1989). Week 37, 1992 took $20.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 1983 Sep 4–10 2 films | 2 | $385.5K | – | Streamers (1983) $378.5K |
| Week 37, 1984 Sep 9–15 3 films · +3798% | 3 | $15M | +3798% | Ninja III: The Domination (1984) $7.6M |
| Week 37, 1985 Sep 8–14 3 films · −15% | 3 | $12.8M | −15% | After Hours (1985) $10.6M |
| Week 37, 1986 Sep 7–13 2 films · −60% | 2 | $5.1M | −60% | Avenging Force (1986) $4.7M |
| Week 37, 1987 Sep 6–12 4 films · −15% | 4 | $4.4M | −15% | The Curse (1987) $1.9M |
| Week 37, 1988 Sep 4–10 5 films · +253% | 5 | $15.4M | +253% | Moon Over Parador (1988) $11.4M |
| Week 37, 1989 Sep 10–16 3 films · +649% | 3 | $115.4M | +649% | Sea of Love (1989) $110.9M |
| Week 37, 1990 Sep 9–15 12 films · −38% | 12 | $71.8M | −38% | Postcards from the Edge (1990) $39.1M |
| Week 37, 1991 Sep 8–14 12 films · +11% | 12 | $79.5M | +11% | Freddy's Dead: The Final Nightmare (1991) $34.9M |
| Week 37, 1992 Sep 6–12 5 films · −75% | 5 | $20.2M | −75% | Hellraiser III: Hell on Earth (1992) $12.5M |
53 weeks of 1992 with reported grosses; the biggest is week 48 (Nov 22–28) with $474.3M, led by The Bodyguard (1992).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Hellraiser III: Hell on Earth (1992) leads with $12.5M worldwide, $12.5M of it in the US & Canada. Next come Wind (1992) at $5.5M and Brother's Keeper (1992) at $1.3M.
5 English-language films released in week 37 of 1992 (Sep 6–12) report a worldwide gross, $20.2M in all, or $4M per film on average. Week 36, 1992 releases took $8.3M.
None. The biggest, Hellraiser III: Hell on Earth (1992), earned $12.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 1992 (Sep 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.