#1 of 5 1992 · Crime, Drama
$14.4M worldwide · 65% of the chart's total
Rapid Fire (1992) is the highest-grossing English-language movie released in week 34 of 1992 (Aug 16–22), with $14.4M worldwide, ahead of The Gun in Betty Lou’s Handbag (1992) at $3.7M and A Brief History of Time (1992) at $2.3M. 5 English-language films released that week report a worldwide gross, $22.2M in all, 100% of it from the US & Canada. That is down 66% on Week 33, 1992, whose releases took $64.8M. By genre, Thriller leads with $18.1M across 2 English releases.
#1 of 5 1992 · Crime, Drama
$14.4M worldwide · 65% of the chart's total
Rapid Fire (1992) leads with $14.4M, 65% of the total. The top 5 together took $22.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 34 of 1992 (Aug 16–22).
Aug 21, 1992 US and Canada: $14.4M Rest of the world: Worldwide: $14.4M
Aug 21, 1992 US and Canada: $3.7M Rest of the world: Worldwide: $3.7M
Aug 21, 1992 US and Canada: $2.3M Rest of the world: Worldwide: $2.3M
Aug 21, 1992 US and Canada: $1.1M Rest of the world: Worldwide: $1.1M
Aug 21, 1992 US and Canada: $692.6K Rest of the world: Worldwide: $692.6K Of the top 5, Rapid Fire (1992) earned the biggest share at home (100% in the US & Canada), while The Living End (1992) made 0% of its gross abroad. Across all 5 films, $22.2M (100%) came from the US & Canada.
Week 34 releases took $22.2M. The biggest of these 9 weeks is week 31 (Jul 26–Aug 1) with $179.3M, led by Death Becomes Her (1992).
Of these 10 years, Week 34, 1983 earned the most: $99.4M from 3 films, led by Mr. Mom (1983). Week 34, 1992 took $22.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 34, 1983 Aug 14–20 3 films | 3 | $99.4M | – | Mr. Mom (1983) $64.8M |
| Week 34, 1984 Aug 19–25 1 film · −91% | 1 | $8.8M | −91% | Oxford Blues (1984) $8.8M |
| Week 34, 1985 Aug 18–24 2 films · +298% | 2 | $35M | +298% | Teen Wolf (1985) $33.1M |
| Week 34, 1986 Aug 17–23 6 films · −2% | 6 | $34.4M | −2% | Extremities (1986) $13.4M |
| Week 34, 1987 Aug 16–22 5 films · +7% | 5 | $36.8M | +7% | The Big Easy (1987) $17.7M |
| Week 34, 1988 Aug 14–20 4 films · +153% | 4 | $93.1M | +153% | A Nightmare on Elm Street 4: The Dream Master (1988) $49.4M |
| Week 34, 1989 Aug 20–26 6 films · −78% | 6 | $20.7M | −78% | The Package (1989) $10.6M |
| Week 34, 1990 Aug 19–25 4 films · +237% | 4 | $69.8M | +237% | Darkman (1990) $48.9M |
| Week 34, 1991 Aug 18–24 7 films · −7% | 7 | $65M | −7% | Dead Again (1991) $38M |
| Week 34, 1992 Aug 16–22 5 films · −66% | 5 | $22.2M | −66% | Rapid Fire (1992) $14.4M |
53 weeks of 1992 with reported grosses; the biggest is week 48 (Nov 22–28) with $474.3M, led by The Bodyguard (1992).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Rapid Fire (1992) leads with $14.4M worldwide, $14.4M of it in the US & Canada. Next come The Gun in Betty Lou’s Handbag (1992) at $3.7M and A Brief History of Time (1992) at $2.3M.
5 English-language films released in week 34 of 1992 (Aug 16–22) report a worldwide gross, $22.2M in all, or $4.4M per film on average. Week 33, 1992 releases took $64.8M.
None. The biggest, Rapid Fire (1992), earned $14.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 34 of 1992 (Aug 16–22). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.