#1 of 6 1992 · Comedy, Drama
$90.8M worldwide · 67% of the chart's total
White Men Can’t Jump (1992) is the highest-grossing English-language movie released in week 13 of 1992 (Mar 22–28), with $90.8M worldwide, ahead of The Cutting Edge (1992) at $25.1M and Ladybugs (1992) at $14.8M. 6 English-language films released that week report a worldwide gross, $134.5M in all, 89% of it from the US & Canada. That is down 62% on Week 12, 1992, whose releases took $356M. By genre, Comedy leads with $130.8M across 4 English releases.
#1 of 6 1992 · Comedy, Drama
$90.8M worldwide · 67% of the chart's total
White Men Can’t Jump (1992) leads with $90.8M, 67% of the total. The top 5 together took $134.4M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 1992 (Mar 22–28).
Mar 27, 1992 US and Canada: $76.3M Rest of the world: $14.5M Worldwide: $90.8M
Mar 27, 1992 US and Canada: $25.1M Rest of the world: Worldwide: $25.1M
Mar 27, 1992 US and Canada: $14.8M Rest of the world: Worldwide: $14.8M
Mar 27, 1992 US and Canada: $2.8M Rest of the world: Worldwide: $2.8M
Mar 27, 1992 US and Canada: $919.3K Rest of the world: Worldwide: $919.3K
Mar 27, 1992 US and Canada: $147.7K Rest of the world: Worldwide: $147.7K Of the top 6, The Cutting Edge (1992) earned the biggest share at home (100% in the US & Canada), while White Men Can’t Jump (1992) made 16% of its gross abroad. Across all 6 films, $120M (89%) came from the US & Canada.
Week 13 releases took $134.5M. The biggest of these 9 weeks is week 12 (Mar 15–21) with $356M, led by Basic Instinct (1992).
Of these 10 years, Week 13, 1990 earned the most: $213.4M from 2 films, led by Teenage Mutant Ninja Turtles (1990). Week 13, 1992 took $134.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 1983 Mar 20–26 6 films | 6 | $90M | – | The Outsiders (1983) $25.9M |
| Week 13, 1984 Mar 25–31 3 films · +49% | 3 | $134.5M | +49% | Romancing the Stone (1984) $86.6M |
| Week 13, 1985 Mar 24–30 5 films · −36% | 5 | $85.6M | −36% | Police Academy 2: Their First Assignment (1985) $55.6M |
| Week 13, 1986 Mar 23–29 3 films · −18% | 3 | $70M | −18% | The Money Pit (1986) $55M |
| Week 13, 1987 Mar 22–28 2 films · −43% | 2 | $40.1M | −43% | Blind Date (1987) $39.3M |
| Week 13, 1988 Mar 20–26 3 films · +92% | 3 | $77M | +92% | Biloxi Blues (1988) $51.7M |
| Week 13, 1989 Mar 26–Apr 1 5 films · −94% | 5 | $4.3M | −94% | Sing (1989) $2.3M |
| Week 13, 1990 Mar 25–31 2 films · +4820% | 2 | $213.4M | +4820% | Teenage Mutant Ninja Turtles (1990) $202.1M |
| Week 13, 1991 Mar 24–30 4 films · −90% | 4 | $21.4M | −90% | Career Opportunities (1991) $11.3M |
| Week 13, 1992 Mar 22–28 6 films · +528% | 6 | $134.5M | +528% | White Men Can’t Jump (1992) $90.8M |
53 weeks of 1992 with reported grosses; the biggest is week 48 (Nov 22–28) with $474.3M, led by The Bodyguard (1992).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
White Men Can’t Jump (1992) leads with $90.8M worldwide, $76.3M of it in the US & Canada. Next come The Cutting Edge (1992) at $25.1M and Ladybugs (1992) at $14.8M.
6 English-language films released in week 13 of 1992 (Mar 22–28) report a worldwide gross, $134.5M in all, or $22.4M per film on average. Week 12, 1992 releases took $356M.
None. The biggest, White Men Can’t Jump (1992), earned $90.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 1992 (Mar 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.