#1 of 5 1992 · Comedy, Family
$147.2M worldwide · 69% of the chart's total
Beethoven (1992) is the highest-grossing English-language movie released in week 14 of 1992 (Mar 29–Apr 4), with $147.2M worldwide, ahead of Thunderheart (1992) at $22.7M and The Player (1992) at $21.7M. 5 English-language films released that week report a worldwide gross, $212.8M in all, 58% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 58% on Week 13, 1992, whose releases took $134.5M. By genre, Comedy leads with $190.1M across 3 English releases.
#1 of 5 1992 · Comedy, Family
$147.2M worldwide · 69% of the chart's total
Beethoven (1992) leads with $147.2M, 69% of the total. The top 5 together took $212.8M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 1992 (Mar 29–Apr 4).
Apr 3, 1992 US and Canada: $57.1M Rest of the world: $90.1M Worldwide: $147.2M
Apr 3, 1992 US and Canada: $22.7M Rest of the world: Worldwide: $22.7M
Apr 3, 1992 US and Canada: $21.7M Rest of the world: $446 Worldwide: $21.7M
Apr 3, 1992 US and Canada: $21.2M Rest of the world: Worldwide: $21.2M
Apr 3, 1992 US and Canada: $1.3K Rest of the world: Worldwide: $1.3K Of the top 5, Thunderheart (1992) earned the biggest share at home (100% in the US & Canada), while Beethoven (1992) made 61% of its gross abroad. Across all 5 films, $122.7M (58%) came from the US & Canada.
Week 14 releases took $212.8M. The biggest of these 9 weeks is week 12 (Mar 15–21) with $356M, led by Basic Instinct (1992).
Of these 10 years, Week 14, 1992 earned the most: $212.8M from 5 films, led by Beethoven (1992).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 1983 Mar 27–Apr 2 5 films | 5 | $24.9M | – | The Meaning of Life (1983) $14.9M |
| Week 14, 1984 Apr 1–7 4 films · +91% | 4 | $47.6M | +91% | Moscow on the Hudson (1984) $25.1M |
| Week 14, 1985 Mar 31–Apr 6 No films | 0 | – | – | – |
| Week 14, 1986 Mar 30–Apr 5 4 films | 4 | $30.8M | – | A Room with a View (1986) $21.1M |
| Week 14, 1987 Mar 29–Apr 4 3 films · −3% | 3 | $29.9M | −3% | Police Academy 4: Citizens on Patrol (1987) $28.1M |
| Week 14, 1988 Mar 27–Apr 2 3 films · +268% | 3 | $109.8M | +268% | Beetlejuice (1988) $74.9M |
| Week 14, 1989 Apr 2–8 5 films · −38% | 5 | $68.4M | −38% | The Dream Team (1989) $28.9M |
| Week 14, 1990 Apr 1–7 5 films · −2% | 5 | $66.8M | −2% | Ernest Goes to Jail (1990) $25M |
| Week 14, 1991 Mar 31–Apr 6 5 films · −53% | 5 | $31.4M | −53% | Defending Your Life (1991) $16.4M |
| Week 14, 1992 Mar 29–Apr 4 5 films · +578% | 5 | $212.8M | +578% | Beethoven (1992) $147.2M |
53 weeks of 1992 with reported grosses; the biggest is week 48 (Nov 22–28) with $474.3M, led by The Bodyguard (1992).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Beethoven (1992) leads with $147.2M worldwide, $57.1M of it in the US & Canada. Next come Thunderheart (1992) at $22.7M and The Player (1992) at $21.7M.
5 English-language films released in week 14 of 1992 (Mar 29–Apr 4) report a worldwide gross, $212.8M in all, or $42.6M per film on average. Week 13, 1992 releases took $134.5M.
None. 1 film crossed $100 million, led by Beethoven (1992) with $147.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 1992 (Mar 29–Apr 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.