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Comedy box office · Week 14 · Mar 29–Apr 4, 1992

Comedy Box Office, Week 14 of 1992: Comedy Releases of Mar 29–Apr 4

Beethoven (1992) is the highest-grossing comedy movie released in week 14 of 1992 (Mar 29–Apr 4), with $147.2M worldwide, ahead of The Player (1992) at $21.7M and Straight Talk (1992) at $21.2M. 4 comedy films released that week report a worldwide gross, $191.9M in all, 53% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 47% on Week 13, 1992, whose releases took $130.8M.

week 14 releases with a gross
4
combined worldwide
$191.9M
film crossed $100M
1
vs Week 13, 1992
+47%
Beethoven (1992) movie poster #1 of 4
#1 comedy movie of Week 14, 1992

Beethoven (1992)

1992 · Comedy, Family

$147.2M worldwide · 77% of the chart's total

$57.1M US & Canada · 39% $90.1M elsewhere · 61%
Top 4

What Were the Biggest Comedy Hits of Week 14 of 1992?

Beethoven (1992) leads with $147.2M, 77% of the total. The top 4 together took $191.9M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Beethoven (1992) movie poster Number 1
    $147.2M Beethoven (1992)
    $57.1M US & Canada · 39% $90.1M elsewhere · 61%
  2. The Player (1992) movie poster Number 2
    $21.7M The Player (1992)
    $21.7M US & Canada · 100% $446 elsewhere · <1%
  3. Straight Talk (1992) movie poster Number 3
    $21.2M Straight Talk (1992)
    $21.2M US & Canada · 100% elsewhere · 0%
  4. Delicatessen (1992) movie poster Number 4
    $1.8M Delicatessen (1992)
    $1.8M US & Canada · 100% $885 elsewhere · <1%

US & Canada (domestic) Rest of the world

The chart

Every Comedy Release of Week 14 of 1992, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 1992 (Mar 29–Apr 4).

  1. 1 Beethoven (1992) movie poster
    Beethoven (1992) Apr 3, 1992 · English · Comedy, Family $147.2M worldwide
    Apr 3, 1992 US and Canada: $57.1M Rest of the world: $90.1M Worldwide: $147.2M
  2. 2 The Player (1992) movie poster
    The Player (1992) Apr 3, 1992 · English · Drama, Mystery, Thriller $21.7M worldwide
    Apr 3, 1992 US and Canada: $21.7M Rest of the world: $446 Worldwide: $21.7M
  3. 3 Straight Talk (1992) movie poster
    Straight Talk (1992) Apr 3, 1992 · English · Comedy, Romance $21.2M worldwide
    Apr 3, 1992 US and Canada: $21.2M Rest of the world: Worldwide: $21.2M
  4. 4 Delicatessen (1992) movie poster
    Delicatessen (1992) Apr 3, 1992 · French · Drama, Thriller, Fantasy $1.8M worldwide
    Apr 3, 1992 US and Canada: $1.8M Rest of the world: $885 Worldwide: $1.8M
US & Canada vs the world

Where Did the Money Come From in Week 14 of 1992?

Of the top 4, Straight Talk (1992) earned the biggest share at home (100% in the US & Canada), while Beethoven (1992) made 61% of its gross abroad. Across all 4 films, $101.8M (53%) came from the US & Canada.

  1. 1 Beethoven (1992) $147.2M
    $57.1M US & Canada · 39% $90.1M elsewhere · 61%
  2. 2 The Player (1992) $21.7M
    $21.7M US & Canada · 100% $446 elsewhere · <1%
  3. 3 Straight Talk (1992) $21.2M
    $21.2M US & Canada · 100% elsewhere · 0%
  4. 4 Delicatessen (1992) $1.8M
    $1.8M US & Canada · 100% $885 elsewhere · <1%
Earlier years

How Does Week 14 of 1992 Compare With Earlier Years?

Of these 10 years, Week 14, 1992 earned the most: $191.9M from 4 films, led by Beethoven (1992).

Week Films Worldwide Change Biggest film
Week 14, 1983 Mar 27–Apr 2 2 films 2 $17M – The Meaning of Life (1983) $14.9M
Week 14, 1984 Apr 1–7 3 films · +178% 3 $47.3M +178% Moscow on the Hudson (1984) $25.1M
Week 14, 1985 Mar 31–Apr 6 No films 0 – – –
Week 14, 1986 Mar 30–Apr 5 2 films 2 $23.5M – A Room with a View (1986) $21.1M
Week 14, 1987 Mar 29–Apr 4 3 films · +27% 3 $29.9M +27% Police Academy 4: Citizens on Patrol (1987) $28.1M
Week 14, 1988 Mar 27–Apr 2 1 film · +151% 1 $74.9M +151% Beetlejuice (1988) $74.9M
Week 14, 1989 Apr 2–8 3 films · +34% 3 $100.2M +34% Major League (1989) $49.8M
Week 14, 1990 Apr 1–7 4 films · −50% 4 $50.1M −50% Ernest Goes to Jail (1990) $25M
Week 14, 1991 Mar 31–Apr 6 3 films · −41% 3 $29.4M −41% Defending Your Life (1991) $16.4M
Week 14, 1992 Mar 29–Apr 4 4 films · +554% 4 $191.9M +554% Beethoven (1992) $147.2M
FAQ

Comedy Box Office Week 14 of 1992: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing comedy movie in week 14 of 1992 (Mar 29–Apr 4)?

Beethoven (1992) leads with $147.2M worldwide, $57.1M of it in the US & Canada. Next come The Player (1992) at $21.7M and Straight Talk (1992) at $21.2M.

How much did comedy movies released in week 14 of 1992 (Mar 29–Apr 4) earn?

4 comedy films released in week 14 of 1992 (Mar 29–Apr 4) report a worldwide gross, $191.9M in all, or $48M per film on average. Week 13, 1992 releases took $130.8M.

How many comedy movies released in week 14 of 1992 (Mar 29–Apr 4) made $1 billion?

None. 1 film crossed $100 million, led by Beethoven (1992) with $147.2M.

How much of the Week 14, 1992 Comedy box office came from the US and Canada?

$101.8M of the $191.9M total, or 53%, was earned in the US & Canada (the domestic market); the rest came from other countries. 0 films of the 4 report no domestic figure.

How is the week 14, 1992 comedy box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 1992 (Mar 29–Apr 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 14, 1992 comedy box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.