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Comedy box office · Week 13 · Mar 22–28, 1992

Comedy Box Office, Week 13 of 1992: Comedy Releases of Mar 22–28

White Men Can’t Jump (1992) is the highest-grossing comedy movie released in week 13 of 1992 (Mar 22–28), with $90.8M worldwide, ahead of The Cutting Edge (1992) at $25.1M and Ladybugs (1992) at $14.8M. 4 comedy films released that week report a worldwide gross, $130.8M in all, 89% of it from the US & Canada.

week 13 releases with a gross
4
combined worldwide
$130.8M
White Men Can’t Jump (1992), the #1
$90.8M
earned in the US & Canada
89%
White Men Can’t Jump (1992) movie poster #1 of 4
#1 comedy movie of Week 13, 1992

White Men Can’t Jump (1992)

1992 · Comedy, Drama

$90.8M worldwide · 69% of the chart's total

$76.3M US & Canada · 84% $14.5M elsewhere · 16%
Top 4

What Were the Biggest Comedy Hits of Week 13 of 1992?

White Men Can’t Jump (1992) leads with $90.8M, 69% of the total. The top 4 together took $130.8M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. White Men Can’t Jump (1992) movie poster Number 1
    $90.8M White Men Can’t Jump (1992)
    $76.3M US & Canada · 84% $14.5M elsewhere · 16%
  2. The Cutting Edge (1992) movie poster Number 2
    $25.1M The Cutting Edge (1992)
    $25.1M US & Canada · 100% elsewhere · 0%
  3. Ladybugs (1992) movie poster Number 3
    $14.8M Ladybugs (1992)
    $14.8M US & Canada · 100% elsewhere · 0%
  4. Roadside Prophets (1992) movie poster Number 4
    $147.7K Roadside Prophets (1992)
    $147.7K US & Canada · 100% elsewhere · 0%

US & Canada (domestic) Rest of the world

The chart

Every Comedy Release of Week 13 of 1992, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 1992 (Mar 22–28).

  1. 1 White Men Can’t Jump (1992) movie poster
    White Men Can’t Jump (1992) Mar 27, 1992 · English · Comedy, Drama $90.8M worldwide
    Mar 27, 1992 US and Canada: $76.3M Rest of the world: $14.5M Worldwide: $90.8M
  2. 2 The Cutting Edge (1992) movie poster
    The Cutting Edge (1992) Mar 27, 1992 · English · Drama, Sport, Comedy $25.1M worldwide
    Mar 27, 1992 US and Canada: $25.1M Rest of the world: Worldwide: $25.1M
  3. 3 Ladybugs (1992) movie poster
    Ladybugs (1992) Mar 27, 1992 · English · Sport, Comedy $14.8M worldwide
    Mar 27, 1992 US and Canada: $14.8M Rest of the world: Worldwide: $14.8M
  4. 4 Roadside Prophets (1992) movie poster
    Roadside Prophets (1992) Mar 27, 1992 · English · Action, Comedy, Drama $147.7K worldwide
    Mar 27, 1992 US and Canada: $147.7K Rest of the world: Worldwide: $147.7K
US & Canada vs the world

Where Did the Money Come From in Week 13 of 1992?

Of the top 4, The Cutting Edge (1992) earned the biggest share at home (100% in the US & Canada), while White Men Can’t Jump (1992) made 16% of its gross abroad. Across all 4 films, $116.3M (89%) came from the US & Canada.

  1. 1 White Men Can’t Jump (1992) $90.8M
    $76.3M US & Canada · 84% $14.5M elsewhere · 16%
  2. 2 The Cutting Edge (1992) $25.1M
    $25.1M US & Canada · 100% elsewhere · 0%
  3. 3 Ladybugs (1992) $14.8M
    $14.8M US & Canada · 100% elsewhere · 0%
  4. 4 Roadside Prophets (1992) $147.7K
    $147.7K US & Canada · 100% elsewhere · 0%
Earlier years

How Does Week 13 of 1992 Compare With Earlier Years?

Of these 10 years, Week 13, 1990 earned the most: $213.4M from 2 films, led by Teenage Mutant Ninja Turtles (1990). Week 13, 1992 took $130.8M.

Week Films Worldwide Change Biggest film
Week 13, 1983 Mar 20–26 2 films 2 $41.7M – Spring Break (1983) $24.1M
Week 13, 1984 Mar 25–31 1 film · +108% 1 $86.6M +108% Romancing the Stone (1984) $86.6M
Week 13, 1985 Mar 24–30 4 films · −7% 4 $80.5M −7% Police Academy 2: Their First Assignment (1985) $55.6M
Week 13, 1986 Mar 23–29 2 films · −21% 2 $63.2M −21% The Money Pit (1986) $55M
Week 13, 1987 Mar 22–28 1 film · −38% 1 $39.3M −38% Blind Date (1987) $39.3M
Week 13, 1988 Mar 20–26 3 films · +96% 3 $77M +96% Biloxi Blues (1988) $51.7M
Week 13, 1989 Mar 26–Apr 1 3 films · −97% 3 $2M −97% Heathers (1989) $1.2M
Week 13, 1990 Mar 25–31 2 films · +10549% 2 $213.4M +10549% Teenage Mutant Ninja Turtles (1990) $202.1M
Week 13, 1991 Mar 24–30 2 films · −95% 2 $11.5M −95% Career Opportunities (1991) $11.3M
Week 13, 1992 Mar 22–28 4 films · +1035% 4 $130.8M +1035% White Men Can’t Jump (1992) $90.8M
FAQ

Comedy Box Office Week 13 of 1992: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing comedy movie in week 13 of 1992 (Mar 22–28)?

White Men Can’t Jump (1992) leads with $90.8M worldwide, $76.3M of it in the US & Canada. Next come The Cutting Edge (1992) at $25.1M and Ladybugs (1992) at $14.8M.

How much did comedy movies released in week 13 of 1992 (Mar 22–28) earn?

4 comedy films released in week 13 of 1992 (Mar 22–28) report a worldwide gross, $130.8M in all, or $32.7M per film on average.

How many comedy movies released in week 13 of 1992 (Mar 22–28) made $1 billion?

None. The biggest, White Men Can’t Jump (1992), earned $90.8M.

How much of the Week 13, 1992 Comedy box office came from the US and Canada?

$116.3M of the $130.8M total, or 89%, was earned in the US & Canada (the domestic market); the rest came from other countries. 0 films of the 4 report no domestic figure.

How is the week 13, 1992 comedy box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 1992 (Mar 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 13, 1992 comedy box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.