#1 of 5 1988 · Comedy, Romance
$11.4M worldwide · 74% of the chart's total
Moon Over Parador (1988) is the highest-grossing English-language movie released in week 37 of 1988 (Sep 4–10), with $11.4M worldwide, ahead of Running on Empty (1988) at $2.8M and Drowning by Numbers (1988) at $477.8K. 5 English-language films released that week report a worldwide gross, $15.4M in all, 100% of it from the US & Canada. That is up 87% on Week 36, 1988, whose releases took $8.2M. By genre, Romance leads with $14.7M across 3 English releases.
#1 of 5 1988 · Comedy, Romance
$11.4M worldwide · 74% of the chart's total
Moon Over Parador (1988) leads with $11.4M, 74% of the total. The top 5 together took $15.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 1988 (Sep 4–10).
Sep 9, 1988 US and Canada: $11.4M Rest of the world: Worldwide: $11.4M
Sep 9, 1988 US and Canada: $2.8M Rest of the world: $12.8K Worldwide: $2.8M
Sep 10, 1988 US and Canada: $424.8K Rest of the world: $53.1K Worldwide: $477.8K
Sep 9, 1988 US and Canada: $401.4K Rest of the world: Worldwide: $401.4K
Sep 10, 1988 US and Canada: $241.3K Rest of the world: Worldwide: $241.3K Of the top 5, Moon Over Parador (1988) earned the biggest share at home (100% in the US & Canada), while Drowning by Numbers (1988) made 11% of its gross abroad. Across all 5 films, $15.3M (100%) came from the US & Canada.
Week 37 releases took $15.4M. The biggest of these 9 weeks is week 34 (Aug 14–20) with $93.1M, led by A Nightmare on Elm Street 4: The Dream Master (1988).
Of these 10 years, Week 37, 1988 earned the most: $15.4M from 5 films, led by Moon Over Parador (1988).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 1979 Sep 9–15 3 films | 3 | $3M | – | Hanover Street (1979) $3M |
| Week 37, 1980 Sep 7–13 2 films · +79% | 2 | $5.4M | +79% | Divine Madness (1980) $5.3M |
| Week 37, 1981 Sep 6–12 No films | 0 | – | – | – |
| Week 37, 1982 Sep 5–11 1 film | 1 | $1.5M | – | Endangered Species (1982) $1.5M |
| Week 37, 1983 Sep 4–10 2 films · −74% | 2 | $385.5K | −74% | Streamers (1983) $378.5K |
| Week 37, 1984 Sep 9–15 3 films · +3798% | 3 | $15M | +3798% | Ninja III: The Domination (1984) $7.6M |
| Week 37, 1985 Sep 8–14 3 films · −15% | 3 | $12.8M | −15% | After Hours (1985) $10.6M |
| Week 37, 1986 Sep 7–13 2 films · −60% | 2 | $5.1M | −60% | Avenging Force (1986) $4.7M |
| Week 37, 1987 Sep 6–12 4 films · −15% | 4 | $4.4M | −15% | The Curse (1987) $1.9M |
| Week 37, 1988 Sep 4–10 5 films · +253% | 5 | $15.4M | +253% | Moon Over Parador (1988) $11.4M |
51 weeks of 1988 with reported grosses; the biggest is week 22 (May 22–28) with $428.7M, led by Crocodile Dundee II (1988).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Moon Over Parador (1988) leads with $11.4M worldwide, $11.4M of it in the US & Canada. Next come Running on Empty (1988) at $2.8M and Drowning by Numbers (1988) at $477.8K.
5 English-language films released in week 37 of 1988 (Sep 4–10) report a worldwide gross, $15.4M in all, or $3.1M per film on average. Week 36, 1988 releases took $8.2M.
None. The biggest, Moon Over Parador (1988), earned $11.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 1988 (Sep 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.