#1 of 5 The Serpent and the Rainbow (1988)
1988 · Thriller, Horror
$19.6M worldwide · 41% of the chart's total
The Serpent and the Rainbow (1988) is the highest-grossing English-language movie released in week 6 of 1988 (Jan 31–Feb 6), with $19.6M worldwide, ahead of She's Having a Baby (1988) at $16M and The Unbearable Lightness of Being (1988) at $10M. 5 English-language films released that week report a worldwide gross, $47.8M in all, 100% of it from the US & Canada. By genre, Drama leads with $28.2M across 4 English releases.
#1 of 5 The Serpent and the Rainbow (1988)
1988 · Thriller, Horror
$19.6M worldwide · 41% of the chart's total
The Serpent and the Rainbow (1988) leads with $19.6M, 41% of the total. The top 5 together took $47.8M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 1988 (Jan 31–Feb 6).
Feb 5, 1988 US and Canada: $19.6M Rest of the world: Worldwide: $19.6M
Feb 5, 1988 US and Canada: $16M Rest of the world: Worldwide: $16M
Feb 5, 1988 US and Canada: $10M Rest of the world: Worldwide: $10M
Feb 5, 1988 US and Canada: $2M Rest of the world: Worldwide: $2M
Feb 1, 1988 US and Canada: $136.6K Rest of the world: Worldwide: $136.6K Of the top 5, The Serpent and the Rainbow (1988) earned the biggest share at home (100% in the US & Canada), while The In Crowd (1988) made 0% of its gross abroad. Across all 5 films, $47.8M (100%) came from the US & Canada.
Week 6 releases took $47.8M. The biggest of these 9 weeks is week 3 (Jan 10–16) with $161.7M, led by Good Morning, Vietnam (1988).
Of these 10 years, Week 6, 1985 earned the most: $91.9M from 3 films, led by Witness (1985). Week 6, 1988 took $47.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 1979 Feb 4–10 1 film | 1 | $22.5M | – | The Warriors (1979) $22.5M |
| Week 6, 1980 Feb 3–9 3 films · −16% | 3 | $18.8M | −16% | Hero at Large (1980) $15.9M |
| Week 6, 1981 Feb 1–7 1 film · +55% | 1 | $29.2M | +55% | Fort Apache the Bronx (1981) $29.2M |
| Week 6, 1982 Jan 31–Feb 6 2 films · −53% | 2 | $13.7M | −53% | Night Crossing (1982) $8M |
| Week 6, 1983 Jan 30–Feb 5 1 film · −84% | 1 | $2.1M | −84% | Videodrome (1983) $2.1M |
| Week 6, 1984 Feb 5–11 No films | 0 | – | – | – |
| Week 6, 1985 Feb 3–9 3 films | 3 | $91.9M | – | Witness (1985) $68.7M |
| Week 6, 1986 Feb 2–8 2 films · −78% | 2 | $20.7M | −78% | F/X (1986) $20.6M |
| Week 6, 1987 Feb 1–7 5 films · +131% | 5 | $47.7M | +131% | Black Widow (1987) $25.2M |
| Week 6, 1988 Jan 31–Feb 6 5 films · ±0% | 5 | $47.8M | ±0% | The Serpent and the Rainbow (1988) $19.6M |
51 weeks of 1988 with reported grosses; the biggest is week 22 (May 22–28) with $428.7M, led by Crocodile Dundee II (1988).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Serpent and the Rainbow (1988) leads with $19.6M worldwide, $19.6M of it in the US & Canada. Next come She's Having a Baby (1988) at $16M and The Unbearable Lightness of Being (1988) at $10M.
5 English-language films released in week 6 of 1988 (Jan 31–Feb 6) report a worldwide gross, $47.8M in all, or $9.6M per film on average.
None. The biggest, The Serpent and the Rainbow (1988), earned $19.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 1988 (Jan 31–Feb 6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.