#1 of 5 The Blair Witch Project (1999)
1999 · Mystery, Thriller
$248.6M worldwide · 48% of the chart's total
The Blair Witch Project (1999) is the highest-grossing English-language movie released in week 29 of 1999 (Jul 11–17), with $248.6M worldwide, ahead of Eyes Wide Shut (1999) at $162.4M and Lake Placid (1999) at $56.9M. 5 English-language films released that week report a worldwide gross, $515.3M in all, 52% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 86% on Week 28, 1999, whose releases took $276.8M. By genre, Thriller leads with $467.9M across 3 English releases.
#1 of 5 The Blair Witch Project (1999)
1999 · Mystery, Thriller
$248.6M worldwide · 48% of the chart's total
The Blair Witch Project (1999) leads with $248.6M, 48% of the total. The top 5 together took $515.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 29 of 1999 (Jul 11–17).
Jul 16, 1999 US and Canada: $140.5M Rest of the world: $108.1M Worldwide: $248.6M
Jul 16, 1999 US and Canada: $55.7M Rest of the world: $106.7M Worldwide: $162.4M
Jul 16, 1999 US and Canada: $31.8M Rest of the world: $25.1M Worldwide: $56.9M
Jul 16, 1999 US and Canada: $25.1M Rest of the world: Worldwide: $25.1M
Jul 14, 1999 US and Canada: $16.6M Rest of the world: $5.7M Worldwide: $22.3M Of the top 5, The Wood (1999) earned the biggest share at home (100% in the US & Canada), while Eyes Wide Shut (1999) made 66% of its gross abroad. Across all 5 films, $269.7M (52%) came from the US & Canada.
Week 29 releases took $515.3M. The biggest of these 9 weeks is week 25 (Jun 13–19) with $616.5M, led by Tarzan (1999).
Of these 10 years, Week 29, 1998 earned the most: $620.2M from 2 films, led by There's Something About Mary (1998). Week 29, 1999 took $515.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 29, 1990 Jul 15–21 4 films | 4 | $99.7M | – | Arachnophobia (1990) $53.2M |
| Week 29, 1991 Jul 14–20 2 films · −57% | 2 | $42.6M | −57% | Bill & Ted's Bogus Journey (1991) $38M |
| Week 29, 1992 Jul 12–18 3 films · +47% | 3 | $62.8M | +47% | Honey, I Blew Up the Kid (1992) $58.7M |
| Week 29, 1993 Jul 11–17 3 films · +223% | 3 | $203M | +223% | Free Willy (1993) $153.7M |
| Week 29, 1994 Jul 10–16 4 films · +112% | 4 | $431.2M | +112% | True Lies (1994) $378.9M |
| Week 29, 1995 Jul 16–22 2 films · −87% | 2 | $57.8M | −87% | Clueless (1995) $56.7M |
| Week 29, 1996 Jul 14–20 5 films · +49% | 5 | $85.9M | +49% | The Frighteners (1996) $29.4M |
| Week 29, 1997 Jul 13–19 5 films · +170% | 5 | $232.1M | +170% | George of the Jungle (1997) $174.5M |
| Week 29, 1998 Jul 12–18 2 films · +167% | 2 | $620.2M | +167% | There's Something About Mary (1998) $369.9M |
| Week 29, 1999 Jul 11–17 5 films · −17% | 5 | $515.3M | −17% | The Blair Witch Project (1999) $248.6M |
53 weeks of 1999 with reported grosses; the biggest is week 21 (May 16–22) with $1B, led by Star Wars: Episode I - The Phantom Menace (1999).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Blair Witch Project (1999) leads with $248.6M worldwide, $140.5M of it in the US & Canada. Next come Eyes Wide Shut (1999) at $162.4M and Lake Placid (1999) at $56.9M.
5 English-language films released in week 29 of 1999 (Jul 11–17) report a worldwide gross, $515.3M in all, or $103.1M per film on average. Week 28, 1999 releases took $276.8M.
None. 2 films crossed $100 million, led by The Blair Witch Project (1999) with $248.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 29 of 1999 (Jul 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.