#1 of 7 2004 · Comedy
$3.5M worldwide · 96% of the chart's total
Oh Schuks… I’m Gatvol (2004) is the highest-grossing English-language movie released in week 1 of 2004 (Jan 1–3), with $3.5M worldwide, ahead of Blast (2004) at $52.5K and Lbs. (2004) at $29.9K. 7 English-language films released that week report a worldwide gross, $3.7M in all, 2% of it from the US & Canada. By genre, Comedy leads with $3.6M across 2 English releases.
#1 of 7 2004 · Comedy
$3.5M worldwide · 96% of the chart's total
Oh Schuks… I’m Gatvol (2004) leads with $3.5M, 96% of the total. The top 5 together took $3.7M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 1 of 2004 (Jan 1–3).
2004 US and Canada: – Rest of the world: – Worldwide: $3.5M
2004 US and Canada: – Rest of the world: – Worldwide: $52.5K
2004 US and Canada: $29.9K Rest of the world: Worldwide: $29.9K
2004 US and Canada: – Rest of the world: – Worldwide: $29.9K
2004 US and Canada: $29.2K Rest of the world: Worldwide: $29.2K
2004 US and Canada: $21.5K Rest of the world: Worldwide: $21.5K
2004 US and Canada: $1.2K Rest of the world: Worldwide: $1.2K Of the top 7, Lbs. (2004) earned the biggest share at home (100% in the US & Canada), while Proteus: A Nineteenth Century Vision (2004) made 0% of its gross abroad. Across all 7 films, $81.8K (2%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 1 releases took $3.7M. The biggest of these 9 weeks is week 51, 2003 (Dec 14–20) with $1.5B, led by The Lord of the Rings: The Return of the King (2003).
Of these 10 years, Week 1, 2000 earned the most: $339.5M from 2 films, led by The Tony Blair Witch Project (2000). Week 1, 2004 took $3.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 1, 1995 Jan 1–7 3 films | 3 | $27.7M | – | Houseguest (1995) $26.3M |
| Week 1, 1996 Jan 1–6 3 films · −100% | 3 | $51.1K | −100% | Naked Acts (1996) $27.4K |
| Week 1, 1997 Jan 1–4 1 film · +3% | 1 | $52.4K | +3% | The Only Thrill (1997) $52.4K |
| Week 1, 1998 Jan 1–3 1 film · +85154% | 1 | $44.7M | +85154% | Mysteries of Egypt (1998) $44.7M |
| Week 1, 1999 Jan 1–2 3 films · −100% | 3 | $50.2K | −100% | Regret to Inform (1999) $44.2K |
| Week 1, 2000 Jan 1 2 films · +676534% | 2 | $339.5M | +676534% | The Tony Blair Witch Project (2000) $248.6M |
| Week 1, 2001 Jan 1–6 3 films · −100% | 3 | $579.5K | −100% | Wooly Boys (2001) $335.7K |
| Week 1, 2002 Jan 1–5 4 films · +4835% | 4 | $28.6M | +4835% | Adrenaline Rush: The Science of Risk (2002) $11M |
| Week 1, 2003 Jan 1–4 3 films · −99% | 3 | $369.6K | −99% | This So-Called Disaster (2003) $226.7K |
| Week 1, 2004 Jan 1–3 7 films · +900% | 7 | $3.7M | +900% | Oh Schuks… I’m Gatvol (2004) $3.5M |
53 weeks of 2004 with reported grosses; the biggest is week 21 (May 16–22) with $935.5M, led by Shrek 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Oh Schuks… I’m Gatvol (2004) leads with $3.5M worldwide. Next come Blast (2004) at $52.5K and Lbs. (2004) at $29.9K.
7 English-language films released in week 1 of 2004 (Jan 1–3) report a worldwide gross, $3.7M in all, or $528.2K per film on average.
None. The biggest, Oh Schuks… I’m Gatvol (2004), earned $3.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 1 of 2004 (Jan 1–3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.