#1 of 6 2004 · Comedy, Romance
$522.7M worldwide · 86% of the chart's total
Meet the Fockers (2004) is the highest-grossing English-language movie released in week 52 of 2004 (Dec 19–25), with $522.7M worldwide, ahead of Fat Albert (2004) at $48.6M and Hotel Rwanda (2004) at $33.9M. 6 English-language films released that week report a worldwide gross, $610.8M in all, 58% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 16% on Week 51, 2004, whose releases took $524.4M. By genre, Comedy leads with $571.2M across 2 English releases.
#1 of 6 2004 · Comedy, Romance
$522.7M worldwide · 86% of the chart's total
Meet the Fockers (2004) leads with $522.7M, 86% of the total. The top 5 together took $610.4M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 52 of 2004 (Dec 19–25).
Dec 22, 2004 US and Canada: $279.3M Rest of the world: $243.4M Worldwide: $522.7M
Dec 25, 2004 US and Canada: $48.1M Rest of the world: $435K Worldwide: $48.6M
Dec 22, 2004 US and Canada: $23.5M Rest of the world: $10.4M Worldwide: $33.9M
Dec 24, 2004 US and Canada: $1.6M Rest of the world: $3.1M Worldwide: $4.7M
Dec 25, 2004 US and Canada: – Rest of the world: – Worldwide: $622.8K
Dec 22, 2004 US and Canada: $417.1K Rest of the world: Worldwide: $417.1K Of the top 6, In the Realms of the Unreal (2004) earned the biggest share at home (100% in the US & Canada), while The Woodsman (2004) made 66% of its gross abroad. Across all 6 films, $352.9M (58%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 52 releases took $610.8M. The biggest of these 9 weeks is week 52 (Dec 19–25) with $610.8M, led by Meet the Fockers (2004).
Of these 10 years, Week 52, 2000 earned the most: $1B from 10 films, led by Cast Away (2000). Week 52, 2004 took $610.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 52, 1995 Dec 24–30 3 films | 3 | $42.1M | – | Dead Man Walking (1995) $39.4M |
| Week 52, 1996 Dec 22–28 2 films · −43% | 2 | $24M | −43% | The People vs. Larry Flynt (1996) $20.3M |
| Week 52, 1997 Dec 21–27 7 films · +1767% | 7 | $448M | +1767% | As Good as It Gets (1997) $314.2M |
| Week 52, 1998 Dec 20–26 7 films · +15% | 7 | $515.4M | +15% | Patch Adams (1998) $202.3M |
| Week 52, 1999 Dec 19–25 9 films · −8% | 9 | $471.8M | −8% | The Talented Mr. Ripley (1999) $138M |
| Week 52, 2000 Dec 17–23 10 films · +119% | 10 | $1B | +119% | Cast Away (2000) $429.6M |
| Week 52, 2001 Dec 23–29 7 films · −58% | 7 | $433.6M | −58% | Black Hawk Down (2001) $173M |
| Week 52, 2002 Dec 22–28 7 films · +20% | 7 | $521.5M | +20% | Catch Me If You Can (2002) $352.1M |
| Week 52, 2003 Dec 21–27 7 films · +30% | 7 | $677.3M | +30% | Cheaper by the Dozen (2003) $190.5M |
| Week 52, 2004 Dec 19–25 6 films · −10% | 6 | $610.8M | −10% | Meet the Fockers (2004) $522.7M |
53 weeks of 2004 with reported grosses; the biggest is week 21 (May 16–22) with $935.5M, led by Shrek 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Meet the Fockers (2004) leads with $522.7M worldwide, $279.3M of it in the US & Canada. Next come Fat Albert (2004) at $48.6M and Hotel Rwanda (2004) at $33.9M.
6 English-language films released in week 52 of 2004 (Dec 19–25) report a worldwide gross, $610.8M in all, or $101.8M per film on average. Week 51, 2004 releases took $524.4M.
None. 1 film crossed $100 million, led by Meet the Fockers (2004) with $522.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 52 of 2004 (Dec 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.