#1 of 5 2005 · Comedy
$4.4M worldwide · 94% of the chart's total
Mama Jack (2005) is the highest-grossing English-language movie released in week 1 of 2005 (Jan 1), with $4.4M worldwide, ahead of Traumata (2005) at $258.2K and Romántico (2005) at $29.5K. 5 English-language films released that week report a worldwide gross, $4.7M in all, <1% of it from the US & Canada. That is down 95% on Week 53, 2004, whose releases took $89.9M. By genre, Comedy leads with $4.4M across 1 English release.
#1 of 5 2005 · Comedy
$4.4M worldwide · 94% of the chart's total
Mama Jack (2005) leads with $4.4M, 94% of the total. The top 5 together took $4.7M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 1 of 2005 (Jan 1).
2005 US and Canada: – Rest of the world: – Worldwide: $4.4M
2005 US and Canada: – Rest of the world: – Worldwide: $258.2K
2005 US and Canada: $29.5K Rest of the world: Worldwide: $29.5K
2005 US and Canada: $7.5K Rest of the world: Worldwide: $7.5K
2005 US and Canada: $737 Rest of the world: Worldwide: $737 Of the top 5, Romántico (2005) earned the biggest share at home (100% in the US & Canada), while A New Day in Old Sana’a (2005) made 0% of its gross abroad. Across all 5 films, $37.6K (<1%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 1 releases took $4.7M. The biggest of these 9 weeks is week 52, 2004 (Dec 19–25) with $610.8M, led by Meet the Fockers (2004).
Of these 10 years, Week 1, 2000 earned the most: $339.5M from 2 films, led by The Tony Blair Witch Project (2000). Week 1, 2005 took $4.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 1, 1996 Jan 1–6 3 films | 3 | $51.1K | – | Naked Acts (1996) $27.4K |
| Week 1, 1997 Jan 1–4 1 film · +3% | 1 | $52.4K | +3% | The Only Thrill (1997) $52.4K |
| Week 1, 1998 Jan 1–3 1 film · +85154% | 1 | $44.7M | +85154% | Mysteries of Egypt (1998) $44.7M |
| Week 1, 1999 Jan 1–2 3 films · −100% | 3 | $50.2K | −100% | Regret to Inform (1999) $44.2K |
| Week 1, 2000 Jan 1 2 films · +676534% | 2 | $339.5M | +676534% | The Tony Blair Witch Project (2000) $248.6M |
| Week 1, 2001 Jan 1–6 3 films · −100% | 3 | $579.5K | −100% | Wooly Boys (2001) $335.7K |
| Week 1, 2002 Jan 1–5 4 films · +4835% | 4 | $28.6M | +4835% | Adrenaline Rush: The Science of Risk (2002) $11M |
| Week 1, 2003 Jan 1–4 3 films · −99% | 3 | $369.6K | −99% | This So-Called Disaster (2003) $226.7K |
| Week 1, 2004 Jan 1–3 7 films · +900% | 7 | $3.7M | +900% | Oh Schuks… I’m Gatvol (2004) $3.5M |
| Week 1, 2005 Jan 1 5 films · +26% | 5 | $4.7M | +26% | Mama Jack (2005) $4.4M |
53 weeks of 2005 with reported grosses; the biggest is week 50 (Dec 4–10) with $1.1B, led by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Mama Jack (2005) leads with $4.4M worldwide. Next come Traumata (2005) at $258.2K and Romántico (2005) at $29.5K.
5 English-language films released in week 1 of 2005 (Jan 1) report a worldwide gross, $4.7M in all, or $930.7K per film on average. Week 53, 2004 releases took $89.9M.
None. The biggest, Mama Jack (2005), earned $4.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 1 of 2005 (Jan 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.