#1 of 6 2005 · Action, Adventure
$53.3M worldwide · 76% of the chart's total
Æon Flux (2005) is the highest-grossing English-language movie released in week 49 of 2005 (Nov 27–Dec 3), with $53.3M worldwide, ahead of Transamerica (2005) at $15.2M and First Descent (2005) at $988.4K. 6 English-language films released that week report a worldwide gross, $70.1M in all, 52% of it from the US & Canada. That is down 70% on Week 48, 2005, whose releases took $233.9M. By genre, Adventure leads with $68.5M across 2 English releases.
#1 of 6 2005 · Action, Adventure
$53.3M worldwide · 76% of the chart's total
Æon Flux (2005) leads with $53.3M, 76% of the total. The top 5 together took $69.9M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 49 of 2005 (Nov 27–Dec 3).
Dec 2, 2005 US and Canada: $25.9M Rest of the world: $27.4M Worldwide: $53.3M
Dec 2, 2005 US and Canada: $9M Rest of the world: $6.1M Worldwide: $15.2M
Dec 2, 2005 US and Canada: $750.8K Rest of the world: $237.6K Worldwide: $988.4K
Nov 30, 2005 US and Canada: $323.9K Rest of the world: Worldwide: $323.9K
Dec 1, 2005 US and Canada: – Rest of the world: – Worldwide: $158.6K
Of the top 6, The Boys of Baraka (2005) earned the biggest share at home (100% in the US & Canada), while Æon Flux (2005) made 51% of its gross abroad. Across all 6 films, $36.1M (52%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 49 releases took $70.1M. The biggest of these 9 weeks is week 50 (Dec 4–10) with $1.1B, led by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
Of these 10 years, Week 49, 2001 earned the most: $464M from 7 films, led by Ocean's Eleven (2001). Week 49, 2005 took $70.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 49, 1996 Dec 1–7 5 films | 5 | $181.8M | – | Daylight (1996) $159.2M |
| Week 49, 1997 Nov 30–Dec 6 2 films · +37% | 2 | $248.6M | +37% | Good Will Hunting (1997) $225.9M |
| Week 49, 1998 Nov 29–Dec 5 2 films · −98% | 2 | $4.7M | −98% | Little Voice (1998) $4.6M |
| Week 49, 1999 Nov 28–Dec 4 5 films · +278% | 5 | $17.8M | +278% | The End of the Affair (1999) $10.8M |
| Week 49, 2000 Nov 26–Dec 2 3 films · −50% | 3 | $8.9M | −50% | The Prince and the Pauper (2000) $8.6M |
| Week 49, 2001 Dec 2–8 7 films · +5110% | 7 | $464M | +5110% | Ocean's Eleven (2001) $450.7M |
| Week 49, 2002 Dec 1–7 5 films · −77% | 5 | $106.4M | −77% | Analyze That (2002) $55M |
| Week 49, 2003 Nov 30–Dec 6 3 films · +327% | 3 | $454.7M | +327% | The Last Samurai (2003) $454.6M |
| Week 49, 2004 Nov 28–Dec 4 8 films · −74% | 8 | $119.8M | −74% | Closer (2004) $116.7M |
| Week 49, 2005 Nov 27–Dec 3 6 films · −42% | 6 | $70.1M | −42% | Æon Flux (2005) $53.3M |
53 weeks of 2005 with reported grosses; the biggest is week 50 (Dec 4–10) with $1.1B, led by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Æon Flux (2005) leads with $53.3M worldwide, $25.9M of it in the US & Canada. Next come Transamerica (2005) at $15.2M and First Descent (2005) at $988.4K.
6 English-language films released in week 49 of 2005 (Nov 27–Dec 3) report a worldwide gross, $70.1M in all, or $11.7M per film on average. Week 48, 2005 releases took $233.9M.
None. The biggest, Æon Flux (2005), earned $53.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 49 of 2005 (Nov 27–Dec 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.