#1 of 7 2005 · Drama, Sport
$50.6M worldwide · 93% of the chart's total
Fever Pitch (2005) is the highest-grossing English-language movie released in week 15 of 2005 (Apr 3–9), with $50.6M worldwide, ahead of Eros (2005) at $1.6M and The Friend (2005) at $1.1M. 7 English-language films released that week report a worldwide gross, $54.3M in all, 79% of it from the US & Canada. That is down 4% on Week 14, 2005, whose releases took $56.6M. By genre, Drama leads with $54.1M across 6 English releases.
#1 of 7 2005 · Drama, Sport
$50.6M worldwide · 93% of the chart's total
Fever Pitch (2005) leads with $50.6M, 93% of the total. The top 5 together took $54.1M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 15 of 2005 (Apr 3–9).
Apr 8, 2005 US and Canada: $42.1M Rest of the world: $8.5M Worldwide: $50.6M
Apr 8, 2005 US and Canada: $188.4K Rest of the world: $1.4M Worldwide: $1.6M
Apr 8, 2005 US and Canada: – Rest of the world: – Worldwide: $1.1M
Apr 6, 2005 US and Canada: $9.4K Rest of the world: $473K Worldwide: $482.4K
Apr 8, 2005 US and Canada: $319.4K Rest of the world: $36.5K Worldwide: $355.9K
Apr 8, 2005 US and Canada: $155.2K Rest of the world: Worldwide: $155.2K
Apr 8, 2005 US and Canada: $32.8K Rest of the world: Worldwide: $32.8K Of the top 7, Eating Out (2005) earned the biggest share at home (100% in the US & Canada), while First Love (2005) made 98% of its gross abroad. Across all 7 films, $42.8M (79%) came from the US & Canada. 1 film of the top 7 reports no US & Canada figure.
Week 15 releases took $54.3M. The biggest of these 9 weeks is week 11 (Mar 6–12) with $381.8M, led by Robots (2005).
Of these 10 years, Week 15, 2001 earned the most: $352.7M from 9 films, led by Bridget Jones's Diary (2001). Week 15, 2005 took $54.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 15, 1996 Apr 7–13 3 films | 3 | $150.6M | – | Courage Under Fire (1996) $100.9M |
| Week 15, 1997 Apr 6–12 6 films · +17% | 6 | $175.6M | +17% | Anaconda (1997) $136.9M |
| Week 15, 1998 Apr 5–11 6 films · +53% | 6 | $268.5M | +53% | City of Angels (1998) $198.7M |
| Week 15, 1999 Apr 4–10 3 films · −56% | 3 | $119.1M | −56% | Never Been Kissed (1999) $84.6M |
| Week 15, 2000 Apr 2–8 8 films · +7% | 8 | $127.8M | +7% | Rules of Engagement (2000) $71.7M |
| Week 15, 2001 Apr 8–14 9 films · +176% | 9 | $352.7M | +176% | Bridget Jones's Diary (2001) $282M |
| Week 15, 2002 Apr 7–13 8 films · −46% | 8 | $191.7M | −46% | Changing Lanes (2002) $94.9M |
| Week 15, 2003 Apr 6–12 6 films · +28% | 6 | $246.2M | +28% | Anger Management (2003) $195.7M |
| Week 15, 2004 Apr 4–10 7 films · −42% | 7 | $141.7M | −42% | Johnson Family Vacation (2004) $31.3M |
| Week 15, 2005 Apr 3–9 7 films · −62% | 7 | $54.3M | −62% | Fever Pitch (2005) $50.6M |
53 weeks of 2005 with reported grosses; the biggest is week 50 (Dec 4–10) with $1.1B, led by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Fever Pitch (2005) leads with $50.6M worldwide, $42.1M of it in the US & Canada. Next come Eros (2005) at $1.6M and The Friend (2005) at $1.1M.
7 English-language films released in week 15 of 2005 (Apr 3–9) report a worldwide gross, $54.3M in all, or $7.8M per film on average. Week 14, 2005 releases took $56.6M.
None. The biggest, Fever Pitch (2005), earned $50.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 15 of 2005 (Apr 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.