#1 of 7 2005 · Action, Sci-Fi
$162.9M worldwide · 67% of the chart's total
The Island (2005) is the highest-grossing English-language movie released in week 30 of 2005 (Jul 17–23), with $162.9M worldwide, ahead of Bad News Bears (2005) at $34.3M and Hustle & Flow (2005) at $23.6M. 7 English-language films released that week report a worldwide gross, $243.3M in all, 44% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 68% on Week 29, 2005, whose releases took $765.4M. By genre, Thriller leads with $183.9M across 2 English releases.
#1 of 7 2005 · Action, Sci-Fi
$162.9M worldwide · 67% of the chart's total
The Island (2005) leads with $162.9M, 67% of the total. The top 5 together took $243.3M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 30 of 2005 (Jul 17–23).
Jul 22, 2005 US and Canada: $35.8M Rest of the world: $127.1M Worldwide: $162.9M
Jul 22, 2005 US and Canada: $32.9M Rest of the world: $1.4M Worldwide: $34.3M
Jul 22, 2005 US and Canada: $22.2M Rest of the world: $1.4M Worldwide: $23.6M
Jul 22, 2005 US and Canada: $17M Rest of the world: $3.9M Worldwide: $20.9M
Jul 22, 2005 US and Canada: $66.9K Rest of the world: $1.5M Worldwide: $1.6M
Jul 20, 2005 US and Canada: $1.5K Rest of the world: Worldwide: $1.5K
Jul 22, 2005 US and Canada: $1.4K Rest of the world: Worldwide: $1.4K Of the top 7, Making Grace (2005) earned the biggest share at home (100% in the US & Canada), while 9 Songs (2005) made 96% of its gross abroad. Across all 7 films, $108M (44%) came from the US & Canada.
Week 30 releases took $243.3M. The biggest of these 9 weeks is week 29 (Jul 10–16) with $765.4M, led by Charlie and the Chocolate Factory (2005).
Of these 10 years, Week 30, 2003 earned the most: $537M from 6 films, led by Spy Kids 3-D: Game Over (2003). Week 30, 2005 took $243.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 30, 1996 Jul 21–27 2 films | 2 | $167.4M | – | A Time to Kill (1996) $152.3M |
| Week 30, 1997 Jul 20–26 3 films · +103% | 3 | $339.5M | +103% | Air Force One (1997) $315.2M |
| Week 30, 1998 Jul 19–25 5 films · +51% | 5 | $512.6M | +51% | Saving Private Ryan (1998) $482.4M |
| Week 30, 1999 Jul 18–24 4 films · −63% | 4 | $188.3M | −63% | The Haunting (1999) $177.3M |
| Week 30, 2000 Jul 16–22 4 films · −25% | 4 | $140.3M | −25% | Pokémon: The Movie 2000 (2000) $133.9M |
| Week 30, 2001 Jul 22–28 4 films · +160% | 4 | $364.5M | +160% | Planet of the Apes (2001) $362.2M |
| Week 30, 2002 Jul 21–27 7 films · −13% | 7 | $317.6M | −13% | Austin Powers in Goldmember (2002) $296.9M |
| Week 30, 2003 Jul 20–26 6 films · +69% | 6 | $537M | +69% | Spy Kids 3-D: Game Over (2003) $197.1M |
| Week 30, 2004 Jul 18–24 9 films · −30% | 9 | $377.2M | −30% | The Bourne Supremacy (2004) $292.5M |
| Week 30, 2005 Jul 17–23 7 films · −36% | 7 | $243.3M | −36% | The Island (2005) $162.9M |
53 weeks of 2005 with reported grosses; the biggest is week 50 (Dec 4–10) with $1.1B, led by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Island (2005) leads with $162.9M worldwide, $35.8M of it in the US & Canada. Next come Bad News Bears (2005) at $34.3M and Hustle & Flow (2005) at $23.6M.
7 English-language films released in week 30 of 2005 (Jul 17–23) report a worldwide gross, $243.3M in all, or $34.8M per film on average. Week 29, 2005 releases took $765.4M.
None. 1 film crossed $100 million, led by The Island (2005) with $162.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 30 of 2005 (Jul 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.