#1 of 3 2005 · Action, Adventure
$333.5M worldwide · 99% of the chart's total
Fantastic Four (2005) is the highest-grossing English-language movie released in week 28 of 2005 (Jul 3–9), with $333.5M worldwide, ahead of Murderball (2005) at $1.8M and The Beautiful Country (2005) at $878.3K. 3 English-language films released that week report a worldwide gross, $336.2M in all, 47% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 46% on Week 27, 2005, whose releases took $618.9M.
#1 of 3 2005 · Action, Adventure
$333.5M worldwide · 99% of the chart's total
Fantastic Four (2005) leads with $333.5M, 99% of the total. The top 3 together took $336.2M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 28 of 2005 (Jul 3–9).
Jul 8, 2005 US and Canada: $154.7M Rest of the world: $178.8M Worldwide: $333.5M
Jul 8, 2005 US and Canada: $1.5M Rest of the world: $220.7K Worldwide: $1.8M
Jul 8, 2005 US and Canada: $442.8K Rest of the world: $435.5K Worldwide: $878.3K Of the top 3, Murderball (2005) earned the biggest share at home (87% in the US & Canada), while Fantastic Four (2005) made 54% of its gross abroad. Across all 3 films, $156.7M (47%) came from the US & Canada.
Week 28 releases took $336.2M. The biggest of these 9 weeks is week 29 (Jul 10–16) with $765.4M, led by Charlie and the Chocolate Factory (2005).
Of these 10 years, Week 28, 2003 earned the most: $842.2M from 5 films, led by Pirates of the Caribbean: The Curse of the Black Pearl (2003). Week 28, 2005 took $336.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 28, 1996 Jul 7–13 1 film | 1 | $25.9K | – | Army Daze (1996) $25.9K |
| Week 28, 1997 Jul 6–12 6 films · +766677% | 6 | $198.5M | +766677% | Contact (1997) $171.1M |
| Week 28, 1998 Jul 5–11 6 films · +89% | 6 | $374.2M | +89% | Lethal Weapon 4 (1998) $285.4M |
| Week 28, 1999 Jul 4–10 3 films · −26% | 3 | $276.8M | −26% | American Pie (1999) $235.5M |
| Week 28, 2000 Jul 2–8 4 films · +2% | 4 | $281.8M | +2% | Scary Movie (2000) $278M |
| Week 28, 2001 Jul 8–14 7 films · +23% | 7 | $347M | +23% | Legally Blonde (2001) $141.8M |
| Week 28, 2002 Jul 7–13 7 films · −2% | 7 | $338.9M | −2% | Road to Perdition (2002) $181M |
| Week 28, 2003 Jul 6–12 5 films · +148% | 5 | $842.2M | +148% | Pirates of the Caribbean: The Curse of the Black Pearl (2003) $654.3M |
| Week 28, 2004 Jul 4–10 3 films · −89% | 3 | $95.9M | −89% | Anchorman: The Legend of Ron Burgundy (2004) $90.7M |
| Week 28, 2005 Jul 3–9 3 films · +251% | 3 | $336.2M | +251% | Fantastic Four (2005) $333.5M |
53 weeks of 2005 with reported grosses; the biggest is week 50 (Dec 4–10) with $1.1B, led by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
Fantastic Four (2005) leads with $333.5M worldwide, $154.7M of it in the US & Canada. Next come Murderball (2005) at $1.8M and The Beautiful Country (2005) at $878.3K.
3 English-language films released in week 28 of 2005 (Jul 3–9) report a worldwide gross, $336.2M in all, or $112.1M per film on average. Week 27, 2005 releases took $618.9M.
None. 1 film crossed $100 million, led by Fantastic Four (2005) with $333.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 28 of 2005 (Jul 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.