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English box office · Week 52 · Dec 21–27, 1997

English Box Office, Week 52 of 1997: English Releases of Dec 21–27

As Good as It Gets (1997) is the highest-grossing English-language movie released in week 52 of 1997 (Dec 21–27), with $314.2M worldwide, ahead of Wag the Dog (1997) at $64.3M and Jackie Brown (1997) at $39.7M. 7 English-language films released that week report a worldwide gross, $448M in all, 58% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 84% on Week 51, 1997, whose releases took $2.7B. By genre, Drama leads with $426.6M across 6 English releases.

week 52 releases with a gross
7
combined worldwide
$448M
film crossed $100M
1
vs Week 51, 1997
−84%
As Good as It Gets (1997) movie poster #1 of 7
#1 English-language movie of Week 52, 1997

As Good as It Gets (1997)

1997 · Drama, Comedy

$314.2M worldwide · 70% of the chart's total

$148.5M US & Canada · 47% $165.7M elsewhere · 53%
Top 5

What Were the Biggest English Hits of Week 52 of 1997?

As Good as It Gets (1997) leads with $314.2M, 70% of the total. The top 5 together took $445.3M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. As Good as It Gets (1997) movie poster Number 1
    $314.2M As Good as It Gets (1997)
    $148.5M US & Canada · 47% $165.7M elsewhere · 53%
  2. Wag the Dog (1997) movie poster Number 2
    $64.3M Wag the Dog (1997)
    $43.1M US & Canada · 67% $21.2M elsewhere · 33%
  3. Jackie Brown (1997) movie poster Number 3
    $39.7M Jackie Brown (1997)
    $39.7M US & Canada · 100% $21.7K elsewhere · <1%
  4. Mr. Magoo (1997) movie poster Number 4
    $21.4M Mr. Magoo (1997)
    $21.4M US & Canada · 100% elsewhere · 0%
  5. Kundun (1997) movie poster Number 5
    $5.7M Kundun (1997)
    $5.7M US & Canada · 100% $171 elsewhere · <1%

US & Canada (domestic) Rest of the world

The chart

Every English Release of Week 52 of 1997, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 52 of 1997 (Dec 21–27).

  1. 1 As Good as It Gets (1997) movie poster
    As Good as It Gets (1997) Dec 23, 1997 · Drama, Comedy $314.2M worldwide
    Dec 23, 1997 US and Canada: $148.5M Rest of the world: $165.7M Worldwide: $314.2M
  2. 2 Wag the Dog (1997) movie poster
    Wag the Dog (1997) Dec 25, 1997 · Drama, Comedy $64.3M worldwide
    Dec 25, 1997 US and Canada: $43.1M Rest of the world: $21.2M Worldwide: $64.3M
  3. 3 Jackie Brown (1997) movie poster
    Jackie Brown (1997) Dec 25, 1997 · Drama, Thriller $39.7M worldwide
    Dec 25, 1997 US and Canada: $39.7M Rest of the world: $21.7K Worldwide: $39.7M
  4. 4 Mr. Magoo (1997) movie poster
    Mr. Magoo (1997) Dec 25, 1997 · Adventure, Comedy $21.4M worldwide
    Dec 25, 1997 US and Canada: $21.4M Rest of the world: Worldwide: $21.4M
  5. 5 Kundun (1997) movie poster
    Kundun (1997) Dec 25, 1997 · Biography, Drama $5.7M worldwide
    Dec 25, 1997 US and Canada: $5.7M Rest of the world: $171 Worldwide: $5.7M
  6. 6 Afterglow (1997) movie poster
    Afterglow (1997) Dec 26, 1997 · Drama, Comedy $2.5M worldwide
    Dec 26, 1997 US and Canada: $2.5M Rest of the world: Worldwide: $2.5M
  7. 7 The Education of Little Tree (1997) movie poster
    The Education of Little Tree (1997) Dec 25, 1997 · Family, Drama $323.4K worldwide
    Dec 25, 1997 US and Canada: $323.4K Rest of the world: Worldwide: $323.4K
US & Canada vs the world

Where Did the Money Come From in Week 52 of 1997?

Of the top 7, Mr. Magoo (1997) earned the biggest share at home (100% in the US & Canada), while As Good as It Gets (1997) made 53% of its gross abroad. Across all 7 films, $261.1M (58%) came from the US & Canada.

  1. 1 As Good as It Gets (1997) $314.2M
    $148.5M US & Canada · 47% $165.7M elsewhere · 53%
  2. 2 Wag the Dog (1997) $64.3M
    $43.1M US & Canada · 67% $21.2M elsewhere · 33%
  3. 3 Jackie Brown (1997) $39.7M
    $39.7M US & Canada · 100% $21.7K elsewhere · <1%
  4. 4 Mr. Magoo (1997) $21.4M
    $21.4M US & Canada · 100% elsewhere · 0%
  5. 5 Kundun (1997) $5.7M
    $5.7M US & Canada · 100% $171 elsewhere · <1%
  6. 6 Afterglow (1997) $2.5M
    $2.5M US & Canada · 100% elsewhere · 0%
  7. 7 The Education of Little Tree (1997) $323.4K
    $323.4K US & Canada · 100% elsewhere · 0%
Weeks around it

How Does Week 52 Compare With the Weeks Around It?

Week 52 releases took $448M. The biggest of these 9 weeks is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).

  1. Week 46 Wk 46 Nov 9–15 The Jackal (1997) $170.1M The Jackal (1997)
  2. Week 47 Wk 47 Nov 16–22 Anastasia (1997) $265.6M Anastasia (1997)
  3. Week 48 Wk 48 Nov 23–29 Flubber (1997) $340.3M Flubber (1997)
  4. Week 49 Wk 49 Nov 30–Dec 6 Good Will Hunting (1997) $248.6M Good Will Hunting (1997)
  5. Week 50 Wk 50 Dec 7–13 Scream 2 (1997) $227.3M Scream 2 (1997)
  6. Week 51 Wk 51 Dec 14–20 Titanic (1997) $2.7B Titanic (1997)
  7. Week 52 Wk 52 Dec 21–27 As Good as It Gets (1997) $448M As Good as It Gets (1997)
  8. Week 53 Wk 53 Dec 28–31 The Boxer (1997) $18.4M The Boxer (1997)
  9. Week 1, 1998 Wk 1 Jan 1–3 Mysteries of Egypt (1998) $44.7M Mysteries of Egypt (1998)
Earlier years

How Does Week 52 of 1997 Compare With Earlier Years?

Of these 10 years, Week 52, 1997 earned the most: $448M from 7 films, led by As Good as It Gets (1997).

Week Films Worldwide Change Biggest film
Week 52, 1988 Dec 18–24 7 films 7 $209M – Working Girl (1988) $103M
Week 52, 1989 Dec 24–30 No films 0 – – –
Week 52, 1990 Dec 23–29 2 films 2 $144.2M – The Godfather: Part III (1990) $136.9M
Week 52, 1991 Dec 22–28 7 films · −13% 7 $125.3M −13% The Prince of Tides (1991) $74.8M
Week 52, 1992 Dec 20–26 4 films · +43% 4 $178.6M +43% Scent of a Woman (1992) $134.1M
Week 52, 1993 Dec 19–25 7 films · +110% 7 $376M +110% Philadelphia (1993) $206.7M
Week 52, 1994 Dec 18–24 7 films · −19% 7 $305.1M −19% Nell (1994) $106.7M
Week 52, 1995 Dec 24–30 3 films · −86% 3 $42.1M −86% Dead Man Walking (1995) $39.4M
Week 52, 1996 Dec 22–28 2 films · −43% 2 $24M −43% The People vs. Larry Flynt (1996) $20.3M
Week 52, 1997 Dec 21–27 7 films · +1767% 7 $448M +1767% As Good as It Gets (1997) $314.2M
Archive

English Box Office in 1997, Week by Week

53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).

FAQ

English Box Office Week 52 of 1997: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.

What is the highest-grossing English-language movie in week 52 of 1997 (Dec 21–27)?

As Good as It Gets (1997) leads with $314.2M worldwide, $148.5M of it in the US & Canada. Next come Wag the Dog (1997) at $64.3M and Jackie Brown (1997) at $39.7M.

How much did English-language movies released in week 52 of 1997 (Dec 21–27) earn?

7 English-language films released in week 52 of 1997 (Dec 21–27) report a worldwide gross, $448M in all, or $64M per film on average. Week 51, 1997 releases took $2.7B.

How many English-language movies released in week 52 of 1997 (Dec 21–27) made $1 billion?

None. 1 film crossed $100 million, led by As Good as It Gets (1997) with $314.2M.

How much of the Week 52, 1997 English box office came from the US and Canada?

$261.1M of the $448M total, or 58%, was earned in the US & Canada (the domestic market); the rest came from other countries. 0 films of the 7 report no domestic figure.

How is the week 52, 1997 English box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 52 of 1997 (Dec 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.

How often is the week 52, 1997 English box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.