#1 of 7 1993 · Drama
$206.7M worldwide · 55% of the chart's total
Philadelphia (1993) is the highest-grossing English-language movie released in week 52 of 1993 (Dec 19–25), with $206.7M worldwide, ahead of Grumpy Old Men (1993) at $70.2M and Tombstone (1993) at $56.5M. 7 English-language films released that week report a worldwide gross, $376M in all, 66% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 42% on Week 51, 1993, whose releases took $649.1M. By genre, Drama leads with $365.1M across 5 English releases.
#1 of 7 1993 · Drama
$206.7M worldwide · 55% of the chart's total
Philadelphia (1993) leads with $206.7M, 55% of the total. The top 5 together took $365.1M, 97% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 52 of 1993 (Dec 19–25).
Dec 23, 1993 US and Canada: $77.4M Rest of the world: $129.2M Worldwide: $206.7M
Dec 25, 1993 US and Canada: $70.2M Rest of the world: Worldwide: $70.2M
Dec 25, 1993 US and Canada: $56.5M Rest of the world: Worldwide: $56.5M
Dec 25, 1993 US and Canada: $25.8M Rest of the world: Worldwide: $25.8M
Dec 25, 1993 US and Canada: $5.9M Rest of the world: Worldwide: $5.9M
Dec 25, 1993 US and Canada: $5.6M Rest of the world: $227.9K Worldwide: $5.9M
Dec 20, 1993 US and Canada: $5.1M Rest of the world: Worldwide: $5.1M Of the top 7, Grumpy Old Men (1993) earned the biggest share at home (100% in the US & Canada), while Philadelphia (1993) made 63% of its gross abroad. Across all 7 films, $246.6M (66%) came from the US & Canada.
Week 52 releases took $376M. The biggest of these 9 weeks is week 51 (Dec 12–18) with $649.1M, led by Schindler's List (1993).
Of these 10 years, Week 52, 1993 earned the most: $376M from 7 films, led by Philadelphia (1993).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 52, 1984 Dec 23–29 2 films | 2 | $4.6M | – | Mrs. Soffel (1984) $4.4M |
| Week 52, 1985 Dec 22–28 2 films · +576% | 2 | $31.2M | +576% | Murphy’s Romance (1985) $30.9M |
| Week 52, 1986 Dec 21–27 5 films · +23% | 5 | $38.4M | +23% | The Morning After (1986) $25.1M |
| Week 52, 1987 Dec 20–26 No films | 0 | – | – | – |
| Week 52, 1988 Dec 18–24 7 films | 7 | $209M | – | Working Girl (1988) $103M |
| Week 52, 1989 Dec 24–30 No films | 0 | – | – | – |
| Week 52, 1990 Dec 23–29 2 films | 2 | $144.2M | – | The Godfather: Part III (1990) $136.9M |
| Week 52, 1991 Dec 22–28 7 films · −13% | 7 | $125.3M | −13% | The Prince of Tides (1991) $74.8M |
| Week 52, 1992 Dec 20–26 4 films · +43% | 4 | $178.6M | +43% | Scent of a Woman (1992) $134.1M |
| Week 52, 1993 Dec 19–25 7 films · +110% | 7 | $376M | +110% | Philadelphia (1993) $206.7M |
52 weeks of 1993 with reported grosses; the biggest is week 24 (Jun 6–12) with $1.1B, led by Jurassic Park (1993).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Philadelphia (1993) leads with $206.7M worldwide, $77.4M of it in the US & Canada. Next come Grumpy Old Men (1993) at $70.2M and Tombstone (1993) at $56.5M.
7 English-language films released in week 52 of 1993 (Dec 19–25) report a worldwide gross, $376M in all, or $53.7M per film on average. Week 51, 1993 releases took $649.1M.
None. 1 film crossed $100 million, led by Philadelphia (1993) with $206.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 52 of 1993 (Dec 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.