#1 of 5 1997 · Action, Thriller
$110.5M worldwide · 68% of the chart's total
The Peacemaker (1997) is the highest-grossing English-language movie released in week 39 of 1997 (Sep 21–27), with $110.5M worldwide, ahead of The Edge (1997) at $43.3M and The Ice Storm (1997) at $8M. 5 English-language films released that week report a worldwide gross, $161.8M in all, 48% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 7% on Week 38, 1997, whose releases took $151.2M. By genre, Action leads with $153.8M across 2 English releases.
#1 of 5 1997 · Action, Thriller
$110.5M worldwide · 68% of the chart's total
The Peacemaker (1997) leads with $110.5M, 68% of the total. The top 5 together took $161.8M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 39 of 1997 (Sep 21–27).
Sep 26, 1997 US and Canada: $41.3M Rest of the world: $69.2M Worldwide: $110.5M
Sep 26, 1997 US and Canada: $27.9M Rest of the world: $15.4M Worldwide: $43.3M
Sep 26, 1997 US and Canada: $8M Rest of the world: Worldwide: $8M
Sep 26, 1997 US and Canada: – Rest of the world: – Worldwide: $21.4K
Sep 26, 1997 US and Canada: $309 Rest of the world: Worldwide: $309 Of the top 5, The Ice Storm (1997) earned the biggest share at home (100% in the US & Canada), while The Peacemaker (1997) made 63% of its gross abroad. Across all 5 films, $77.2M (48%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 39 releases took $161.8M. The biggest of these 9 weeks is week 33 (Aug 10–16) with $331.4M, led by The Full Monty (1997).
Of these 10 years, Week 39, 1997 earned the most: $161.8M from 5 films, led by The Peacemaker (1997).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 39, 1988 Sep 18–24 5 films | 5 | $69.3M | – | Gorillas in the Mist (1988) $61.1M |
| Week 39, 1989 Sep 24–30 1 film · −90% | 1 | $7.2M | −90% | Johnny Handsome (1989) $7.2M |
| Week 39, 1990 Sep 23–29 4 films · +588% | 4 | $49.8M | +588% | Pacific Heights (1990) $44.9M |
| Week 39, 1991 Sep 22–28 5 films · +12% | 5 | $55.8M | +12% | Deceived (1991) $28.7M |
| Week 39, 1992 Sep 20–26 3 films · +68% | 3 | $93.8M | +68% | The Last of the Mohicans (1992) $75.5M |
| Week 39, 1993 Sep 19–25 6 films · +17% | 6 | $110.1M | +17% | The Good Son (1993) $60.6M |
| Week 39, 1994 Sep 18–24 2 films · −85% | 2 | $16.7M | −85% | Terminal Velocity (1994) $16.5M |
| Week 39, 1995 Sep 24–30 5 films · +266% | 5 | $61M | +266% | Dead Presidents (1995) $24.1M |
| Week 39, 1996 Sep 22–28 4 films · −31% | 4 | $42M | −31% | Extreme Measures (1996) $17.4M |
| Week 39, 1997 Sep 21–27 5 films · +286% | 5 | $161.8M | +286% | The Peacemaker (1997) $110.5M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Peacemaker (1997) leads with $110.5M worldwide, $41.3M of it in the US & Canada. Next come The Edge (1997) at $43.3M and The Ice Storm (1997) at $8M.
5 English-language films released in week 39 of 1997 (Sep 21–27) report a worldwide gross, $161.8M in all, or $32.4M per film on average. Week 38, 1997 releases took $151.2M.
None. 1 film crossed $100 million, led by The Peacemaker (1997) with $110.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 39 of 1997 (Sep 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.