#1 of 5 1997 · Action, Comedy
$31.5M worldwide · 96% of the chart's total
Beverly Hills Ninja (1997) is the highest-grossing English-language movie released in week 3 of 1997 (Jan 12–18), with $31.5M worldwide, ahead of Dream with the Fishes (1997) at $543.7K and Wild Man Blues (1997) at $533.8K. 5 English-language films released that week report a worldwide gross, $32.9M in all, 100% of it from the US & Canada. That is down 28% on Week 2, 1997, whose releases took $45.5M. By genre, Comedy leads with $32M across 3 English releases.
#1 of 5 1997 · Action, Comedy
$31.5M worldwide · 96% of the chart's total
Beverly Hills Ninja (1997) leads with $31.5M, 96% of the total. The top 5 together took $32.9M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 3 of 1997 (Jan 12–18).
Jan 17, 1997 US and Canada: $31.5M Rest of the world: Worldwide: $31.5M
Jan 16, 1997 US and Canada: $543.7K Rest of the world: Worldwide: $543.7K
Jan 16, 1997 US and Canada: $533.8K Rest of the world: Worldwide: $533.8K
Jan 17, 1997 US and Canada: $339.4K Rest of the world: Worldwide: $339.4K
Jan 17, 1997 US and Canada: $9.1K Rest of the world: Worldwide: $9.1K Of the top 5, Beverly Hills Ninja (1997) earned the biggest share at home (100% in the US & Canada), while Eight Days a Week (1997) made 0% of its gross abroad. Across all 5 films, $32.9M (100%) came from the US & Canada.
Week 3 releases took $32.9M. The biggest of these 9 weeks is week 51, 1996 (Dec 15–21) with $407.5M, led by Scream (1996).
Of these 10 years, Week 3, 1991 earned the most: $230.6M from 6 films, led by Sleeping with the Enemy (1991). Week 3, 1997 took $32.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 3, 1988 Jan 10–16 4 films | 4 | $161.7M | – | Good Morning, Vietnam (1988) $123.9M |
| Week 3, 1989 Jan 15–21 1 film · −99% | 1 | $858.6K | −99% | The Terror Within (1989) $858.6K |
| Week 3, 1990 Jan 14–20 3 films · +425% | 3 | $4.5M | +425% | Brain Dead (1990) $1.6M |
| Week 3, 1991 Jan 13–19 6 films · +5013% | 6 | $230.6M | +5013% | Sleeping with the Enemy (1991) $175M |
| Week 3, 1992 Jan 12–18 4 films · −80% | 4 | $45.4M | −80% | Juice (1992) $20.1M |
| Week 3, 1993 Jan 10–16 3 films · +59% | 3 | $72.2M | +59% | Alive (1993) $36.7M |
| Week 3, 1994 Jan 9–15 3 films · −68% | 3 | $23.1M | −68% | Iron Will (1994) $21M |
| Week 3, 1995 Jan 15–21 5 films · −2% | 5 | $22.6M | −2% | Murder in the First (1995) $17.4M |
| Week 3, 1996 Jan 14–20 4 films · +508% | 4 | $137.3M | +508% | Mr. Holland's Opus (1996) $106.3M |
| Week 3, 1997 Jan 12–18 5 films · −76% | 5 | $32.9M | −76% | Beverly Hills Ninja (1997) $31.5M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Beverly Hills Ninja (1997) leads with $31.5M worldwide, $31.5M of it in the US & Canada. Next come Dream with the Fishes (1997) at $543.7K and Wild Man Blues (1997) at $533.8K.
5 English-language films released in week 3 of 1997 (Jan 12–18) report a worldwide gross, $32.9M in all, or $6.6M per film on average. Week 2, 1997 releases took $45.5M.
None. The biggest, Beverly Hills Ninja (1997), earned $31.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 3 of 1997 (Jan 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.