#1 of 5 1997 · Mystery, Thriller
$137M worldwide · 87% of the chart's total
Conspiracy Theory (1997) is the highest-grossing English-language movie released in week 32 of 1997 (Aug 3–9), with $137M worldwide, ahead of How to Be a Player (1997) at $14M and Free Willy 3: The Rescue (1997) at $3.4M. 5 English-language films released that week report a worldwide gross, $157.1M in all, 61% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 4% on Week 31, 1997, whose releases took $163.8M. By genre, Romance leads with $151M across 2 English releases.
#1 of 5 1997 · Mystery, Thriller
$137M worldwide · 87% of the chart's total
Conspiracy Theory (1997) leads with $137M, 87% of the total. The top 5 together took $157.1M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 32 of 1997 (Aug 3–9).
Aug 8, 1997 US and Canada: $76M Rest of the world: $61M Worldwide: $137M
Aug 6, 1997 US and Canada: $14M Rest of the world: Worldwide: $14M
Aug 6, 1997 US and Canada: $3.4M Rest of the world: Worldwide: $3.4M
Aug 8, 1997 US and Canada: $2.4M Rest of the world: Worldwide: $2.4M
Aug 9, 1997 US and Canada: $206.3K Rest of the world: Worldwide: $206.3K Of the top 5, How to Be a Player (1997) earned the biggest share at home (100% in the US & Canada), while Conspiracy Theory (1997) made 45% of its gross abroad. Across all 5 films, $96.1M (61%) came from the US & Canada.
Week 32 releases took $157.1M. The biggest of these 9 weeks is week 27 (Jun 29–Jul 5) with $627.5M, led by Men in Black (1997).
Of these 10 years, Week 32, 1994 earned the most: $288.9M from 3 films, led by Clear and Present Danger (1994). Week 32, 1997 took $157.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 32, 1988 Jul 31–Aug 6 6 films | 6 | $16.6M | – | The Blob (1988) $8.2M |
| Week 32, 1989 Aug 6–12 2 films · +577% | 2 | $112.7M | +577% | The Abyss (1989) $90.5M |
| Week 32, 1990 Aug 5–11 4 films · −7% | 4 | $105M | −7% | Flatliners (1990) $61.5M |
| Week 32, 1991 Aug 4–10 5 films · −34% | 5 | $69.5M | −34% | Double Impact (1991) $30.1M |
| Week 32, 1992 Aug 2–8 4 films · +11% | 4 | $77.3M | +11% | Raising Cain (1992) $37.2M |
| Week 32, 1993 Aug 1–7 2 films · −85% | 2 | $11.4M | −85% | The Meteor Man (1993) $8M |
| Week 32, 1994 Jul 31–Aug 6 3 films · +2445% | 3 | $288.9M | +2445% | Clear and Present Danger (1994) $215.9M |
| Week 32, 1995 Aug 6–12 4 films · −15% | 4 | $245.8M | −15% | Dangerous Minds (1995) $179.5M |
| Week 32, 1996 Aug 4–10 5 films · −74% | 5 | $64.5M | −74% | Jack (1996) $58.6M |
| Week 32, 1997 Aug 3–9 5 films · +144% | 5 | $157.1M | +144% | Conspiracy Theory (1997) $137M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Conspiracy Theory (1997) leads with $137M worldwide, $76M of it in the US & Canada. Next come How to Be a Player (1997) at $14M and Free Willy 3: The Rescue (1997) at $3.4M.
5 English-language films released in week 32 of 1997 (Aug 3–9) report a worldwide gross, $157.1M in all, or $31.4M per film on average. Week 31, 1997 releases took $163.8M.
None. 1 film crossed $100 million, led by Conspiracy Theory (1997) with $137M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 32 of 1997 (Aug 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.