#1 of 4 1995 · Drama, Thriller
$179.5M worldwide · 73% of the chart's total
Dangerous Minds (1995) is the highest-grossing English-language movie released in week 32 of 1995 (Aug 6–12), with $179.5M worldwide, ahead of A Walk in the Clouds (1995) at $50M and A Kid in King Arthur's Court (1995) at $13.4M. 4 English-language films released that week report a worldwide gross, $245.8M in all, 62% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 27% on Week 31, 1995, whose releases took $337M.
#1 of 4 1995 · Drama, Thriller
$179.5M worldwide · 73% of the chart's total
Dangerous Minds (1995) leads with $179.5M, 73% of the total. The top 4 together took $245.8M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 32 of 1995 (Aug 6–12).
Aug 11, 1995 US and Canada: $84.9M Rest of the world: $94.6M Worldwide: $179.5M
Aug 11, 1995 US and Canada: $50M Rest of the world: Worldwide: $50M
Aug 11, 1995 US and Canada: $13.4M Rest of the world: Worldwide: $13.4M
Aug 11, 1995 US and Canada: $2.9M Rest of the world: Worldwide: $2.9M Of the top 4, A Walk in the Clouds (1995) earned the biggest share at home (100% in the US & Canada), while Dangerous Minds (1995) made 53% of its gross abroad. Across all 4 films, $151.2M (62%) came from the US & Canada.
Week 32 releases took $245.8M. The biggest of these 9 weeks is week 26 (Jun 25–Jul 1) with $535.2M, led by Apollo 13 (1995).
Of these 10 years, Week 32, 1994 earned the most: $288.9M from 3 films, led by Clear and Present Danger (1994). Week 32, 1995 took $245.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 32, 1986 Aug 3–9 4 films | 4 | $32.5M | – | One Crazy Summer (1986) $13.4M |
| Week 32, 1987 Aug 2–8 7 films · +232% | 7 | $107.7M | +232% | Stakeout (1987) $65.7M |
| Week 32, 1988 Jul 31–Aug 6 6 films · −85% | 6 | $16.6M | −85% | The Blob (1988) $8.2M |
| Week 32, 1989 Aug 6–12 2 films · +577% | 2 | $112.7M | +577% | The Abyss (1989) $90.5M |
| Week 32, 1990 Aug 5–11 4 films · −7% | 4 | $105M | −7% | Flatliners (1990) $61.5M |
| Week 32, 1991 Aug 4–10 5 films · −34% | 5 | $69.5M | −34% | Double Impact (1991) $30.1M |
| Week 32, 1992 Aug 2–8 4 films · +11% | 4 | $77.3M | +11% | Raising Cain (1992) $37.2M |
| Week 32, 1993 Aug 1–7 2 films · −85% | 2 | $11.4M | −85% | The Meteor Man (1993) $8M |
| Week 32, 1994 Jul 31–Aug 6 3 films · +2445% | 3 | $288.9M | +2445% | Clear and Present Danger (1994) $215.9M |
| Week 32, 1995 Aug 6–12 4 films · −15% | 4 | $245.8M | −15% | Dangerous Minds (1995) $179.5M |
53 weeks of 1995 with reported grosses; the biggest is week 21 (May 21–27) with $544.9M, led by Casper (1995).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Dangerous Minds (1995) leads with $179.5M worldwide, $84.9M of it in the US & Canada. Next come A Walk in the Clouds (1995) at $50M and A Kid in King Arthur's Court (1995) at $13.4M.
4 English-language films released in week 32 of 1995 (Aug 6–12) report a worldwide gross, $245.8M in all, or $61.5M per film on average. Week 31, 1995 releases took $337M.
None. 1 film crossed $100 million, led by Dangerous Minds (1995) with $179.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 32 of 1995 (Aug 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.