#1 of 5 1991 · Action, Crime
$30.1M worldwide · 43% of the chart's total
Double Impact (1991) is the highest-grossing English-language movie released in week 32 of 1991 (Aug 4–10), with $30.1M worldwide, ahead of Pure Luck (1991) at $24.9M and Bingo (1991) at $8.7M. 5 English-language films released that week report a worldwide gross, $69.5M in all, 97% of it from the US & Canada. That is down 74% on Week 31, 1991, whose releases took $263.5M. By genre, Crime leads with $55M across 2 English releases.
#1 of 5 1991 · Action, Crime
$30.1M worldwide · 43% of the chart's total
Double Impact (1991) leads with $30.1M, 43% of the total. The top 5 together took $69.5M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 32 of 1991 (Aug 4–10).
Aug 9, 1991 US and Canada: $30.1M Rest of the world: Worldwide: $30.1M
Aug 9, 1991 US and Canada: $22.6M Rest of the world: $2.3M Worldwide: $24.9M
Aug 9, 1991 US and Canada: $8.7M Rest of the world: Worldwide: $8.7M
Aug 9, 1991 US and Canada: $5.5M Rest of the world: Worldwide: $5.5M
Aug 9, 1991 US and Canada: $225.7K Rest of the world: Worldwide: $225.7K Of the top 5, Double Impact (1991) earned the biggest share at home (100% in the US & Canada), while Pure Luck (1991) made 9% of its gross abroad. Across all 5 films, $67.2M (97%) came from the US & Canada.
Week 32 releases took $69.5M. The biggest of these 9 weeks is week 27 (Jun 30–Jul 6) with $520.3M, led by Terminator 2: Judgment Day (1991).
Of these 10 years, Week 32, 1989 earned the most: $112.7M from 2 films, led by The Abyss (1989). Week 32, 1991 took $69.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 32, 1982 Aug 1–7 3 films | 3 | $51.4M | – | Pink Floyd: The Wall (1982) $22.3M |
| Week 32, 1983 Jul 31–Aug 6 4 films · +40% | 4 | $71.7M | +40% | Risky Business (1983) $63.5M |
| Week 32, 1984 Aug 5–11 3 films · −34% | 3 | $47.5M | −34% | Red Dawn (1984) $38.4M |
| Week 32, 1985 Aug 4–10 4 films · +74% | 4 | $82.8M | +74% | Pee-wee's Big Adventure (1985) $41M |
| Week 32, 1986 Aug 3–9 4 films · −61% | 4 | $32.5M | −61% | One Crazy Summer (1986) $13.4M |
| Week 32, 1987 Aug 2–8 7 films · +232% | 7 | $107.7M | +232% | Stakeout (1987) $65.7M |
| Week 32, 1988 Jul 31–Aug 6 6 films · −85% | 6 | $16.6M | −85% | The Blob (1988) $8.2M |
| Week 32, 1989 Aug 6–12 2 films · +577% | 2 | $112.7M | +577% | The Abyss (1989) $90.5M |
| Week 32, 1990 Aug 5–11 4 films · −7% | 4 | $105M | −7% | Flatliners (1990) $61.5M |
| Week 32, 1991 Aug 4–10 5 films · −34% | 5 | $69.5M | −34% | Double Impact (1991) $30.1M |
52 weeks of 1991 with reported grosses; the biggest is week 47 (Nov 17–23) with $707M, led by Beauty and the Beast (1991).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Double Impact (1991) leads with $30.1M worldwide, $30.1M of it in the US & Canada. Next come Pure Luck (1991) at $24.9M and Bingo (1991) at $8.7M.
5 English-language films released in week 32 of 1991 (Aug 4–10) report a worldwide gross, $69.5M in all, or $13.9M per film on average. Week 31, 1991 releases took $263.5M.
None. The biggest, Double Impact (1991), earned $30.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 32 of 1991 (Aug 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.