#1 of 6 1995 · Sci-Fi, Thriller
$9.4M worldwide · 48% of the chart's total
Village of the Damned (1995) is the highest-grossing English-language movie released in week 17 of 1995 (Apr 23–29), with $9.4M worldwide, ahead of Top Dog (1995) at $5.1M and Crumb (1995) at $3M. 6 English-language films released that week report a worldwide gross, $19.6M in all, 100% of it from the US & Canada. That is down 91% on Week 16, 1995, whose releases took $223.7M. By genre, Thriller leads with $15M across 3 English releases.
#1 of 6 1995 · Sci-Fi, Thriller
$9.4M worldwide · 48% of the chart's total
Village of the Damned (1995) leads with $9.4M, 48% of the total. The top 5 together took $19.3M, 98% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 1995 (Apr 23–29).
Apr 28, 1995 US and Canada: $9.4M Rest of the world: Worldwide: $9.4M
Apr 28, 1995 US and Canada: $5.1M Rest of the world: Worldwide: $5.1M
Apr 28, 1995 US and Canada: $3M Rest of the world: Worldwide: $3M
Apr 28, 1995 US and Canada: $1.2M Rest of the world: Worldwide: $1.2M
Apr 28, 1995 US and Canada: $536K Rest of the world: Worldwide: $536K
Apr 28, 1995 US and Canada: $346K Rest of the world: Worldwide: $346K Of the top 6, Village of the Damned (1995) earned the biggest share at home (100% in the US & Canada), while A Pyromaniac’s Love Story (1995) made 0% of its gross abroad. Across all 6 films, $19.6M (100%) came from the US & Canada.
Week 17 releases took $19.6M. The biggest of these 9 weeks is week 14 (Apr 2–8) with $277.8M, led by Bad Boys (1995).
Of these 10 years, Week 17, 1989 earned the most: $84.1M from 4 films, led by K-9 (1989). Week 17, 1995 took $19.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 1986 Apr 20–26 3 films | 3 | $15.5M | – | Sweet Liberty (1986) $14.2M |
| Week 17, 1987 Apr 19–25 1 film · −27% | 1 | $11.3M | −27% | Extreme Prejudice (1987) $11.3M |
| Week 17, 1988 Apr 17–23 9 films · +150% | 9 | $28.3M | +150% | Casual Sex? (1988) $12.3M |
| Week 17, 1989 Apr 23–29 4 films · +197% | 4 | $84.1M | +197% | K-9 (1989) $78.2M |
| Week 17, 1990 Apr 22–28 2 films · −69% | 2 | $26.4M | −69% | Spaced Invaders (1990) $15.4M |
| Week 17, 1991 Apr 21–27 4 films · +18% | 4 | $31.1M | +18% | A Kiss Before Dying (1991) $15.4M |
| Week 17, 1992 Apr 19–25 4 films · −37% | 4 | $19.5M | −37% | White Sands (1992) $9M |
| Week 17, 1993 Apr 18–24 3 films · +150% | 3 | $48.8M | +150% | Benny & Joon (1993) $23.3M |
| Week 17, 1994 Apr 17–23 4 films · −38% | 4 | $30.1M | −38% | Bad Girls (1994) $15.2M |
| Week 17, 1995 Apr 23–29 6 films · −35% | 6 | $19.6M | −35% | Village of the Damned (1995) $9.4M |
53 weeks of 1995 with reported grosses; the biggest is week 21 (May 21–27) with $544.9M, led by Casper (1995).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Village of the Damned (1995) leads with $9.4M worldwide, $9.4M of it in the US & Canada. Next come Top Dog (1995) at $5.1M and Crumb (1995) at $3M.
6 English-language films released in week 17 of 1995 (Apr 23–29) report a worldwide gross, $19.6M in all, or $3.3M per film on average. Week 16, 1995 releases took $223.7M.
None. The biggest, Village of the Damned (1995), earned $9.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 1995 (Apr 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.