#1 of 5 1997 · Action, Drama
$48.2M worldwide · 55% of the chart's total
G.I. Jane (1997) is the highest-grossing English-language movie released in week 34 of 1997 (Aug 17–23), with $48.2M worldwide, ahead of Mimic (1997) at $25.5M and Leave It to Beaver (1997) at $10.9M. 5 English-language films released that week report a worldwide gross, $87M in all, 100% of it from the US & Canada. That is down 74% on Week 33, 1997, whose releases took $331.4M. By genre, Action leads with $50.1M across 2 English releases.
#1 of 5 1997 · Action, Drama
$48.2M worldwide · 55% of the chart's total
G.I. Jane (1997) leads with $48.2M, 55% of the total. The top 5 together took $87M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 34 of 1997 (Aug 17–23).
Aug 22, 1997 US and Canada: $48.2M Rest of the world: Worldwide: $48.2M
Aug 22, 1997 US and Canada: $25.5M Rest of the world: $313 Worldwide: $25.5M
Aug 22, 1997 US and Canada: $10.9M Rest of the world: Worldwide: $10.9M
Aug 22, 1997 US and Canada: $1.9M Rest of the world: Worldwide: $1.9M
Aug 20, 1997 US and Canada: $505.3K Rest of the world: Worldwide: $505.3K Of the top 5, G.I. Jane (1997) earned the biggest share at home (100% in the US & Canada), while Mimic (1997) made <1% of its gross abroad. Across all 5 films, $87M (100%) came from the US & Canada.
Week 34 releases took $87M. The biggest of these 9 weeks is week 30 (Jul 20–26) with $339.5M, led by Air Force One (1997).
Of these 10 years, Week 34, 1988 earned the most: $93.1M from 4 films, led by A Nightmare on Elm Street 4: The Dream Master (1988). Week 34, 1997 took $87M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 34, 1988 Aug 14–20 4 films | 4 | $93.1M | – | A Nightmare on Elm Street 4: The Dream Master (1988) $49.4M |
| Week 34, 1989 Aug 20–26 6 films · −78% | 6 | $20.7M | −78% | The Package (1989) $10.6M |
| Week 34, 1990 Aug 19–25 4 films · +237% | 4 | $69.8M | +237% | Darkman (1990) $48.9M |
| Week 34, 1991 Aug 18–24 7 films · −7% | 7 | $65M | −7% | Dead Again (1991) $38M |
| Week 34, 1992 Aug 16–22 5 films · −66% | 5 | $22.2M | −66% | Rapid Fire (1992) $14.4M |
| Week 34, 1993 Aug 15–21 3 films · +286% | 3 | $85.6M | +286% | Hard Target (1993) $74.2M |
| Week 34, 1994 Aug 14–20 5 films · −42% | 5 | $49.3M | −42% | Color of Night (1994) $19.7M |
| Week 34, 1995 Aug 20–26 4 films · −1% | 4 | $49M | −1% | Desperado (1995) $25.4M |
| Week 34, 1996 Aug 18–24 6 films · +63% | 6 | $79.8M | +63% | The Island of Dr. Moreau (1996) $49.6M |
| Week 34, 1997 Aug 17–23 5 films · +9% | 5 | $87M | +9% | G.I. Jane (1997) $48.2M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
G.I. Jane (1997) leads with $48.2M worldwide, $48.2M of it in the US & Canada. Next come Mimic (1997) at $25.5M and Leave It to Beaver (1997) at $10.9M.
5 English-language films released in week 34 of 1997 (Aug 17–23) report a worldwide gross, $87M in all, or $17.4M per film on average. Week 33, 1997 releases took $331.4M.
None. The biggest, G.I. Jane (1997), earned $48.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 34 of 1997 (Aug 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.