#1 of 5 1994 · Mystery, Thriller
$19.7M worldwide · 40% of the chart's total
Color of Night (1994) is the highest-grossing English-language movie released in week 34 of 1994 (Aug 14–20), with $19.7M worldwide, ahead of Andre (1994) at $16.8M and Blankman (1994) at $7.9M. 5 English-language films released that week report a worldwide gross, $49.3M in all, 100% of it from the US & Canada. That is down 24% on Week 33, 1994, whose releases took $64.5M. By genre, Adventure leads with $29.2M across 3 English releases.
#1 of 5 1994 · Mystery, Thriller
$19.7M worldwide · 40% of the chart's total
Color of Night (1994) leads with $19.7M, 40% of the total. The top 5 together took $49.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 34 of 1994 (Aug 14–20).
Aug 19, 1994 US and Canada: $19.7M Rest of the world: Worldwide: $19.7M
Aug 17, 1994 US and Canada: $16.8M Rest of the world: Worldwide: $16.8M
Aug 19, 1994 US and Canada: $7.9M Rest of the world: Worldwide: $7.9M
Aug 16, 1994 US and Canada: $4.4M Rest of the world: Worldwide: $4.4M
Aug 18, 1994 US and Canada: $364.2K Rest of the world: Worldwide: $364.2K Of the top 5, Color of Night (1994) earned the biggest share at home (100% in the US & Canada), while Nostradamus (1994) made 0% of its gross abroad. Across all 5 films, $49.3M (100%) came from the US & Canada.
Week 34 releases took $49.3M. The biggest of these 9 weeks is week 28 (Jul 3–9) with $678.2M, led by Forrest Gump (1994).
Of these 10 years, Week 34, 1988 earned the most: $93.1M from 4 films, led by A Nightmare on Elm Street 4: The Dream Master (1988). Week 34, 1994 took $49.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 34, 1985 Aug 18–24 2 films | 2 | $35M | – | Teen Wolf (1985) $33.1M |
| Week 34, 1986 Aug 17–23 6 films · −2% | 6 | $34.4M | −2% | Extremities (1986) $13.4M |
| Week 34, 1987 Aug 16–22 5 films · +7% | 5 | $36.8M | +7% | The Big Easy (1987) $17.7M |
| Week 34, 1988 Aug 14–20 4 films · +153% | 4 | $93.1M | +153% | A Nightmare on Elm Street 4: The Dream Master (1988) $49.4M |
| Week 34, 1989 Aug 20–26 6 films · −78% | 6 | $20.7M | −78% | The Package (1989) $10.6M |
| Week 34, 1990 Aug 19–25 4 films · +237% | 4 | $69.8M | +237% | Darkman (1990) $48.9M |
| Week 34, 1991 Aug 18–24 7 films · −7% | 7 | $65M | −7% | Dead Again (1991) $38M |
| Week 34, 1992 Aug 16–22 5 films · −66% | 5 | $22.2M | −66% | Rapid Fire (1992) $14.4M |
| Week 34, 1993 Aug 15–21 3 films · +286% | 3 | $85.6M | +286% | Hard Target (1993) $74.2M |
| Week 34, 1994 Aug 14–20 5 films · −42% | 5 | $49.3M | −42% | Color of Night (1994) $19.7M |
52 weeks of 1994 with reported grosses; the biggest is week 25 (Jun 12–18) with $1.1B, led by The Lion King (1994).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Color of Night (1994) leads with $19.7M worldwide, $19.7M of it in the US & Canada. Next come Andre (1994) at $16.8M and Blankman (1994) at $7.9M.
5 English-language films released in week 34 of 1994 (Aug 14–20) report a worldwide gross, $49.3M in all, or $9.9M per film on average. Week 33, 1994 releases took $64.5M.
None. The biggest, Color of Night (1994), earned $19.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 34 of 1994 (Aug 14–20). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.